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Vênus e o Cupido

Lorenzo Lotto Italian

Meados da década de 1520

On view at The Met Fifth Avenue in Gallery 608

O tema desta pintura, uma obra do gênio mais original do Renascimento veneziano, foi inspirado nos poemas de casamento a partir da idade clássica e pintado para celebrar um casamento. Na verdade Vênus pode ser um retrato da noiva. A concha que vemos na cabeça de Vênus e as pétalas de rosa em seu colo, são atributos tradicionais da deusa. A hera é um símbolo de fidelidade conjugal e uma guirlanda de murta e o braseiro suspenso nela são acessórios da câmara nupcial. Vênus usa brincos e a coroa típica de uma noiva do século XVI. O ato do Cupido de urinar através da guirlanda de murta é um presságio de fertilidade, conferindo ao mesmo tempo um ar de gracejo à imagem.

Venus and Cupid, Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto), Oil on canvas — Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Venus and Cupid, Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto), Oil on canvas

Venus and Cupid, Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto), Oil on canvas

Venus and Cupid, Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto), Oil on canvas

Venus and Cupid, Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto), Oil on canvas

Venus and Cupid, Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto), Oil on canvas

Venus and Cupid, Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto), Oil on canvas

Venus and Cupid, Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto), Oil on canvas

Venus and Cupid, Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto), Oil on canvas

Venus and Cupid, Lorenzo Lotto (Italian, Venice ca. 1480–1556 Loreto), Oil on canvas

This artwork is meant to be viewed from right to left. Scroll left to view more.

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 1. Line engraving (from Salomon Reinach, "Répertoire de peintures du moyen age et de la renaissance (1280–1580)," Paris, vol. 4, 1918, p. 652)

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 2. Plate from Cesare Vecellio, "Habiti antichi et moderni," Venice, 1598

Fig. 3. Plate from Francesco Colonna, "Hypnerotomachia Poliphili," Venice, 1499

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 4. Before cleaning (from Bernard Berenson, "Lotto," 3rd ed., Milan, 1955, pl. 258)

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 5. Painting in frame: overall

Fig. 6. Painting in frame: corner

Fig. 7. Painting in frame: angled corner

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 8. Profile drawing of frame. W 6 9/16 in. 16.6 cm (T. Newbery)

Título: Vênus e o Cupido

Artista: Lorenzo Lotto, italiano, ca. 1480–1556

Data: Meados da década de 1520

Meio: Óleo sobre tela

Dimensões: 92,4 x 111,4 cm

Linha de créditos: Compra, doação da Sra. Charles Wrightsman, em homenagem a Marietta Tree, 1986

Número de acesso: 1986.138

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