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Virgem

ca. 1250
On view at The Met Cloisters in Gallery 08
Esta imagem soberba, um dos grandes marcos da escultura gótica, foi criada para a peça de madeira do coro monumental da Catedral de Estrasburgo. Seu lugar de honra, perto do centro, estava indicado por um baldaquino com anjos que sustentavam uma coroa sobre a cabeça da Virgem. O Menino Jesus, agora desaparecido, surgiu a partir de uma roseira ao lado de Maria, talvez uma alusão à Virgem, conhecida como a “rosa sem espinhos” ou uma referência, por causa da cor vermelha das flores, ao sangue de Cristo derramado na Crucificação. Mudanças nos rituais eclesiásticos foram a causa da destruição do painel de madeira do coro em 1680.

Artwork Details

Object Information
  • Título: Virgem
  • Data: ca. 1250
  • Geografia: Alsácia, Estrasburgo (França moderna)
  • Meio: Pedra arenita com policromia e dourado original
  • Dimensões: 148,6 cm de altura
  • Linha de créditos: Coleção Os Claustros, 1947
  • Número de acesso: 47.101.11
  • Curatorial Department: Medieval Art and The Cloisters

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Cover Image for Strasbourg Virgin

Strasbourg Virgin

Gallery 8

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This figure comes from the cathedral of Strasbourg, in eastern France. Do you remember the wooden statue of the Virgin that we saw a few stops back? If you compare that figure with this one, you can appreciate the difference between Romanesque and Gothic sculpture. The Romanesque example was majestic and austere, but the sculptor of this statue has made the Virgin graceful and life-like; her youthful face wears a slight smile, and her mantle faithfully imitates the folds of heavy cloth. This statue was made for a structure called a choir screen, which is a tall, richly decorated barrier that divided the choir and clergy from the lay congregation in medieval cathedrals. The statue was placed high above the floor there, and so it is here too. It’s one of the few fragments that remain from the choir screen of Strasbourg Cathedral.

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