Esmaltes com a crucificação e símbolos dos evangelistas

França

On view at The Met Fifth Avenue in Gallery 304

O abade Begon III (r. 1087–1107) encomendou obras de arte preciosas para seu monastério em Conques. Acredita-se que uma delas seja este conjunto identificado por sua técnica, estilo e colorido incomum e provavelmente procedente de uma capa de livro. Em cada peça, o ourives sobrepôs duas placas de cobre; a inferior com cloisons (fios) que delimitam as feições e os trajes, e a superior cortada para definir as silhuetas das figuras e da cruz.

The Crucifixion, Gilded copper, cloisonné and champlevé enamel, French

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The Crucifixion, Gilded copper, cloisonné and champlevé enamel, French
The Crucifixion, Gilded copper, cloisonné and champlevé enamel, French
The Crucifixion, Gilded copper, cloisonné and champlevé enamel, French
The Crucifixion, Gilded copper, cloisonné and champlevé enamel, French

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