Borghese vase
The Borghese “Vaso a Pila” originally had low handles, of which Zoffoli was unaware and which would have counterbalanced the extraordinarily flared neck. The bronze does, however, replicate the four satyr’s masks and the thyrsi ending in pinecones and hung with goatskins. The lower body was cast separately and joined by means of an iron bolt and nut with solder. The underside is filled with wood. Another cast appeared at auction in 2003, having undergone changes: it is initialed on a different side, the heads of the animal skins are a bit more caprine than our slightly bovine ones, and the metal is redder.[4] Two casts of another Zoffoli model, “Vaso a Urna,” larger and thus more expensive (20 zecchini each), are in the Ashmolean.[5]
-JDD
Footnotes
(For key to shortened references see bibliography in Allen, Italian Renaissance and Baroque Bronzes in The Metropolitan Museum of Art. NY: The Metropolitan Museum of Art, 2022.)
1. First studied by Honour 1961.
2. The list was published in ibid., p. 205, and in Haskell and Penny 1981, p. 342.
3. See Jean-Luc Martinez in Giroire and Roger 2007, p. 160, cat. 89.
4. Sotheby’s, London, July 8, 2003, lot 161.
5. Penny 1992, vol. 1, pp. 162–63, nos. 110, 111.
Artwork Details
- Title: Borghese vase
- Maker: Giovanni Zoffoli (Italian, ca. 1745–1805)
- Date: ca. 1795
- Culture: Italian, Rome
- Medium: Bronze
- Dimensions: Overall (confirmed): 11 3/4 × 9 5/8 × 9 5/8 in. (29.8 × 24.4 × 24.4 cm)
- Classification: Sculpture-Bronze
- Credit Line: Purchase, The Isak and Rose Weinman Foundation Inc. Gift, 2011
- Object Number: 2011.346
- Curatorial Department: European Sculpture and Decorative Arts
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