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The Fireside

ca. 1876–77
Not on view
As Degas strove to represent the female body with greater truth, women engaged in the intimate rituals of both the bath and the brothel became his frequent themes. During the 1870s, when novels by J.-K. Huysmans, Edmond de Goncourt, and Émile Zola focused on the flourishing profession of prostitution, Degas too studied the world of the maisons closes, and made about fifty smudged drawings in greasy ink on glass or metal plates which he printed as monotypes.

Artwork Details

Object Information
  • Title: The Fireside
  • Artist: Edgar Degas (French, Paris 1834–1917 Paris)
  • Date: ca. 1876–77
  • Medium: Monotype in black ink on white heavy laid paper
  • Dimensions: plate: 16 3/4 x 23 1/16 in. (42.5 x 58.6 cm)
    sheet: 19 3/4 x 25 1/2 in. (50.2 x 64.8 cm)
  • Classification: Prints
  • Credit Line: Harris Brisbane Dick Fund, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, and C. Douglas Dillon Gift, 1968
  • Object Number: 68.670
  • Curatorial Department: Drawings and Prints
More Artwork
The Little Fourteen-Year-Old Dancer, Edgar Degas  French, Partially tinted bronze, cotton tarlatan, silk satin, and wood, French, Paris
Edgar Degas
Founder Cast by A. A. Hébrard
modeled 1881, cast 1922, modern tutu
Ceramic Horn, Glazed pottery, French
French
late 18th or early 19th century
Bather Standing Among Grasses at the Shore, Camille Pissarro  French, Monotype in brown/black ink on light blue laid paper
Camille Pissarro
ca. 1894
Woman Having Her Hair Combed, Edgar Degas  French, Pastel on light green wove paper, now discolored to warm gray, affixed to original pulpboard mount
Edgar Degas
ca. 1886–88
Moulin Rouge: La Goulue, Henri de Toulouse-Lautrec  French, Lithograph printed in four colors; three sheets of wove paper
Henri de Toulouse-Lautrec
Printer Affiches Américaines, Charles Lévy
1891

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