Tickets
English
DonateMembershipTickets

Plan of the City of Rome: sheet 9 with the Piazza Navona, the Campo di Fiore and the Sant' Onofrio

Publisher Giovanni Domenico de Rossi Italian
Dedicatee Cardinal Camillo Pamphili Italian
1645
Not on view
Part of the lower half of the map of Rome. Depicted is a central part of the city with a view of both the left and right bank. Recognizable points in the map are the Piazza Navona, the Campo di Fiore and the Sant' Onofrio (left bank).

Artwork Details

Object Information
  • Title: Plan of the City of Rome: sheet 9 with the Piazza Navona, the Campo di Fiore and the Sant' Onofrio
  • Artist: Antonio Tempesta (Italian, Florence 1555–1630 Rome)
  • Publisher: Giovanni Domenico de Rossi (Italian, 1619–1653)
  • Dedicatee: Cardinal Camillo Pamphili
  • Date: 1645
  • Medium: Etching with some engraving; undescribed state
  • Dimensions: Sheet: 21 3/4 x 16 5/16 in. (55.3 x 41.5 cm)
    Plate: 20 15/16 x 15 3/4 in. (53.2 x 40 cm)
  • Classification: Prints
  • Credit Line: Edward Pearce Casey Fund, 1983
  • Object Number: 1983.1027(9)
  • Curatorial Department: Drawings and Prints

More Artwork

More Artwork
Plan of the City of Rome, Antonio Tempesta Italian, Etching with some engraving; undescribed state
Plan of the City of Rome
Antonio Tempesta
Publisher Giovanni Domenico de Rossi
Dedicatee Cardinal Camillo Pamphili
1645
Atalanta and Meleager with Fountains of Versailles, Antonio Tempesta Italian, Wool and silk on canvas (Center: 484-576 tent stitches per sq. inch, 90 per sq. cm. Border: 169 cross-stitches per sq. inch, 25 per sq. cm.), French
Atalanta and Meleager with Fountains of Versailles
Related to prints by Antonio Tempesta
Related to engravings by Perelle
late 17th century
Lobster-Tail Burgonet, Steel, leather, gold, North Italian
Lobster-Tail Burgonet
North Italian
ca. 1610
Reclining Female Nude, Rembrandt (Rembrandt van Rijn) Dutch, Etching, drypoint, and engraving on Japanese paper; second of six states
Reclining Female Nude
Rembrandt (Rembrandt van Rijn)
1658
Plate 8: The Rebirth of Mankind (Reparatio generis humani), from Ovid's "Metamorphoses", Antonio Tempesta Italian, Etching
Plate 8: The Rebirth of Mankind (Reparatio generis humani), from Ovid's "Metamorphoses"
Antonio Tempesta
1606

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.

Send feedback

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.