Nakahara in Sagami Province (Sōshū Nakahara), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)

ca. 1830–32

Not on view

Intrigued by the compositional potential of the plank bridge in the foreground of the upper print, Hokusai appears to have excerpted and used it as the central structuring motif in the lower print. Like a stage, all action takes place on or within the space created by the wooden structure. Hokusai's tendency to repeat the peaked form of the mountain throughout a print's design is seen here in the construction of the thatched rooftops as well in the rattle-laden rope lines used by fishermen to scare off hungry birds. This type of controlled vision is absent from the upper print, the design of which is far less focused and ordered.

Artwork Details

冨嶽三十六景　相州仲原
Title: Nakahara in Sagami Province (Sōshū Nakahara), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Artist: Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo))
Period: Edo period (1615–1868)
Date: ca. 1830–32
Culture: Japan
Medium: Woodblock print; ink and color on paper
Dimensions: 10 x 15 in. (25.4 x 38.1 cm)
Classification: Prints
Credit Line: Henry L. Phillips Collection, Bequest of Henry L. Phillips, 1939
Object Number: JP2978
Curatorial Department: Asian Art

More Artwork

By Katsushika Hokusai

In the same medium

From the same time and place

A slider containing 5 items.
Press the down key to skip to the last item.

Nakahara in Sagami Province (Sōshū Nakahara), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Nakahara in Sagami Province (Sōshū Nakahara), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
ca. 1830–32

Yahagi Bridge at Okazaki on the Tōkaidō (Tōkaidō Okazaki Yahagi no hashi), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Yahagi Bridge at Okazaki on the Tōkaidō (Tōkaidō Okazaki Yahagi no hashi), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran)
Katsushika Hokusai
ca. 1834

The Suspension Bridge on the Border of Hida and Etchū Provinces (Hietsu no sakai tsuribashi), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — The Suspension Bridge on the Border of Hida and Etchū Provinces (Hietsu no sakai tsuribashi), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran)
Katsushika Hokusai
ca. 1830

Cherry Blossoms at Yoshino (Yoshino), from the series Snow, Moon, and Flowers (Setsugekka), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Cherry Blossoms at Yoshino (Yoshino), from the series Snow, Moon, and Flowers (Setsugekka)
Katsushika Hokusai
ca. 1833

The Hanging-cloud Bridge at Mount Gyōdō near Ashikaga (Ashikaga Gyōdōzan kumo no kakehashi), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — The Hanging-cloud Bridge at Mount Gyōdō near Ashikaga (Ashikaga Gyōdōzan kumo no kakehashi), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran)
Katsushika Hokusai
ca. 1830

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.