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Most Medieval depictions of Jesus are gentle. Why is this carving so dramatic?

"The power that this sculpture has is precisely in the fact that it's not always concerned with naturalism and it's really concerned with telling a story."

"The power that this sculpture has is precisely in the fact that it's not always concerned with naturalism and it's really concerned with telling a story."

Curator Peter Barnet on the "Plaque with the Journey to Emmaus and Noli Me Tangere."

Explore this object:
https://www.metmuseum.org/art/collection/search/464443

Throughout 2013, The Met invited curators from across the Museum to each talk about one artwork that changed the way they see the world.

Photography by Oi-Cheong Lee

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Contributors

Peter Barnet
Senior Curator, Department of Medieval Art and The Cloisters

A blonde, angel looking downwards with a green wing coming out of its back. The angel is draped in a white and red robe.
Explore the biography of the famed Renaissance artist through a selection of extraordinary works.
Caroline Elenowitz-Hess
March 23
Gold-background scene showing two male figures, one with wings, in an embrace, framed by red and blue decorative borders.
Spectrum of Desire co-curators Melanie Holcomb and Nancy Thebaut discuss sensuality and sexuality in Medieval art.
Lina Palazzo
March 18
Female figure with long, dark hair and blue skin stands assertively, eyes wide and tongue out. Her multiple arms hold a sword and severed head, and she wears a necklace and belt of body parts.
Wrathful images of the divine in South Asia are meant to protect and nurture, not to be feared.
Vaishnavi Patil
March 9
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