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1,121 results for khufu relief

Image for American Relief Sculpture
Essay

American Relief Sculpture

October 1, 2006

By Thayer Tolles

Also executed on a domestic scale for private patrons, relief portraits and ideal subjects (drawn from history, mythology, literature, or the Bible) were considered desirable alternatives to the standard in-the-round busts or statues.
Image for Relics and Reliquaries in Medieval Christianity
Essay

Relics and Reliquaries in Medieval Christianity

October 1, 2001, revised April 1, 2011

By Barbara Drake Boehm

All relics bestowed honor and privileges upon the possessor, and monasteries and cathedrals sought to hold the most prestigious. Some relics were even stolen from one church, only to find a new home in another.
Image for How the dizzying repetition of these Assyrian reliefs gives them hyperreality
"That infinite image creates an endless echoing, which is almost dizzying and supernatural."
Image for Assyrian Reliefs and Ivories in The Metropolitan Museum of Art: Palace Reliefs of Assurnasirpal II and Ivory Carvings from Nimrud
The Metropolitan Museum of Art houses monumental, majestic, and important works of art from the ancient world. In particular, a group of Assyrian sculptures from the Northwest Palace at Nimrud, which was constructed during the reign of Assurnasirpal II (883–859 B.C.), is remarkable both for its artistic excellence and for its technical skill. Excavated at Nimrud in the mid-nineteenth century by Sir Austen Henry Layard, an English archaeologist, the majority of these impressive, larger-than-life-size reliefs and sculptures came to the Metropolitan Museum in 1932 as gifts of John D. Rockefeller, Jr., one of the Museum's most generous supporters. Other Assyrian pieces were gifts to the Museum in 1917 from J. Pierpont Morgan, another major figure in the Metropolitan's history. An earlier donor, Benjamin Brewster, began the Museum's collection of Assyrian reliefs with a gift in 1884. Over the years the Metropolitan's Assyrian sculptures have been housed in several locations. In 1933, shortly after the arrival of the Rockefeller gift, two statues from palace doorways—a lion and a bull with wings and human heads—were installed in a prominent position at the south end of the Great Hall, where they heraldically flanked the entrance to the Cesnola Gallery containing Cypriot art. Several of the reliefs were installed at that time in the small rooms to the east of the gallery. There they remained until the summer of 1957. In 1961 two new galleries of Ancient Near Eastern art were opened in the Museum's north wing, and the Assyrian sculptures could by viewed in a display arranged by Charles K. Wilkinson, curator of the department, that closely reflected their original positions at Nimrud. In 1968, prior to the beginning of construction on the Lila Acheson Wallace Galleries of Egyptian Art, most of the Ancient Near Eastern works were placed in storage. Now, as the first stage in the reinstallation of permanent galleries for the Department of Ancient Near Eastern Art, the Assyrian sculptures may again be enjoyed in a gallery setting that reflects their original placement in the Northwest Palace at Nimrud.
Image for Ragas in Review: An Evening of North Indian Music
editorial

Ragas in Review: An Evening of North Indian Music

February 4, 2015

By Julia Rooney

Administrative Assistant Julia Rooney describes an evening of Hindustani music performed as part of the Moroccan Court Music Series.
Image for A Review of Our Creative World
editorial

A Review of Our Creative World

April 17, 2015

By Endea

Guest Blogger Endea shares her experience of attending the opening reception of the Scholastic Art & Writing Awards exhibition.
Image for Sacrifice, Fealty, and a Sculptor's Signature on a Maya Relief
Assistant Curator James Doyle compares an eighth-century Maya relief fragment in the Met's collection with two similar objects found in museum collections in Berlin and Leiden, Germany.
Image for Relief fragment with king Khufu's cattle

Date: ca. 2551–2528 B.C.
Accession Number: 22.1.3a, b

Image for Block of Relief

Date: ca. 2551–2528 B.C.
Accession Number: 09.180.6

Image for Relief with a billy goat

Date: ca. 2551–2528 B.C.
Accession Number: 22.1.20

Image for Relief with the head of a female personification of an estate

Date: ca. 2551–2528 B.C.
Accession Number: 22.1.7

Image for Archers

Date: ca. 2551–2494 B.C.
Accession Number: 22.1.23

"Egyptians were probably the first to be aware of the nobility inherent in the human form and to express it in art." — Heinrich Schafer, Principles of Egyptian Art (1919)
Image for Temple relief

Date: ca. 2551–2528 B.C.
Accession Number: 22.1.25

Image for Temple relief

Date: ca. 2551–2528 B.C.
Accession Number: 22.1.19

Image for Tomb Chapel of Raemkai: East Wall

Date: ca. 2446–2389 B.C.
Accession Number: 08.201.1f