Fell’s Cave, a rock shelter in the valley of the Río Chico not far from the Strait of Magellan, was initially occupied by hunters around 10,000 B.C. who left behind an impressive layer of refuse.

While the majority of paintings in the Pachmari Hills are from historic periods, the earliest Mesolithic depictions provide visually rich and compelling images of the natural environment and some aspects of Mesolithic life.

With just over a week left, now is the time to see Reid Farrington's groundbreaking installation The Return, which brings Tullio Lombardo's Adam to life.

Assistant Museum Librarian Gwen Mayhew profiles Museum volunteer Natalie DeVoe.

How do we define a historical concept so distant yet pertinent today?

Education Assistant Maya Valladares and Program Coordinator Mary Ann Bonet, both from the Education Department, write about some of the art activities #MetKids can participate in at the upcoming Museum Mile Festival.

The Trustees and staff of The Metropolitan Museum of Art mourn the passing of Arthur Ochs Sulzberger, whose wise stewardship and tireless devotion benefited this institution in countless ways over the past four decades.

Visiting Research Scholar Sasha Rossman and Assistant Curator Femke Speelberg discuss the close relationship between artistry and weaponry that existed until the end of the nineteenth century.

Former intern Wellington writes about his impression of Édouard Manet's The Spanish Singer, and discusses how art can be used to illustrate respect for and acceptance of other cultures.

Assistant for Administration Julia Rooney explores the themes and techniques Iranian artist Shiva Ahmadi incorporated into one her 2013 works, Pipes.