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1,736 results for Egyptian Revival

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Essay

Egyptian Revival

July 1, 2012

By Sara Ickow

The vocabulary of ancient Egyptian art would be interpreted and adapted in different ways depending on the standards and motivations of the time.
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Essay

The Etching Revival in Nineteenth-Century France

September 1, 2014

By Britany Salsbury

The etching revival inspired an interest in the medium that was sustained throughout the rest of the nineteenth century in France.
Image for American Revival Styles, 1840–76
Essay

American Revival Styles, 1840–76

October 1, 2004

By Amelia Peck

Nineteenth-century American architecture and furniture design was characterized by a parade of different styles that purported to take their inspiration from the design vocabulary of the past.
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Essay

The Egyptian Expedition, 1906–1936

March 16, 2022

By Catharine H. Roehrig

Learn about past excavations by the Department of Egyptian Art.
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Essay

Egyptian Modern Art

October 1, 2004

By Salwa Mikdadi

The first generation of modern Egyptian artists was driven by a renewed appreciation of their national patrimony and the return to ancient pharaonic art detached from any African, Arab, or religious cultural references.
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Essay

Egyptian Red Gold

March 1, 2007

By Deborah Schorsch and Tony Frantz

Alfred Lucas, one of the foremost early researchers in the study of ancient Egyptian technology, correctly surmised that the vast majority of such colorations resulted from fortuitous tarnishing of silver-bearing gold and also recognized correctly that a smaller group of objects bearing a distinctly different red coloration represented another phenomenon altogether.
Image for Egyptian Wall Paintings in Gallery 132
Explore facsimile installations from the Museum’s Egyptian Expedition.
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Essay

Ancient Egyptian Amulets

February 1, 2019

By Isabel Stünkel

An amulet is an object believed to have certain positive properties that, as the amulet’s main function, can magically be bestowed upon its owner.
Image for Egyptian Art Archival Materials and Manuscript Collections
Essay

Egyptian Art Archival Materials and Manuscript Collections

January 28, 2022

By Diana Craig Patch

The Department of Egyptian Art oversees a wide range of archives, with the earliest dating back to the late nineteenth century.
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The aim of this book is twofold: first, to provide beginning students with step-by-step guidance in drawing hieroglyphs; and secondly, to supplement the observations of Gardiner in the Sign List at the back of his Egyptian Grammar. The examples include all 24 of the common forms of "alphabetic" (monoconsonantal) signs, and a selection of other signs that are either difficult to draw or that call for additional comment—a total of about 200 in all. Comparative material, emphasizing Old Kingdom models, is presented in 175 line drawings. By familiarizing themselves with this material, along with the points made in the Introduction, students will, at the same time, learn a good deal about hieroglyphic palaeography.
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Sarah Freeman Clarke (American, Dorchester, Massachusetts 1808–1896 Marietta, Georgia)

Date: 1874 or after
Accession Number: 1978.502

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Carlo Giuliano (Italian, active England, ca. 1831–1895)

Date: ca. 1865
Accession Number: 2015.410a–d

Image for Egyptian Revival Table Cover

Date: ca. 1880
Accession Number: 2008.643.2

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Attributed to Pottier and Stymus Manufacturing Company (active ca. 1858–1918/19)

Date: 1870–75
Accession Number: 68.207a, b

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How can buildings reflect the relationship between people and the environment? Explore possibilities in this lesson plan featuring an ancient Egyptian temple.

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Ball, Black & Co. (American, New York, 1851–1874)

Date: ca. 1872
Accession Number: 2005.10

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Attributed to Pottier and Stymus Manufacturing Company (active ca. 1858–1918/19)

Date: ca. 1870–75
Accession Number: 1970.35.1

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Marie Zimmermann (American, Brooklyn, New York 1879–1972 Punta Gorda, Florida)

Date: 1925–35
Accession Number: 2021.14.24

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Edward Everett Oakes (American, 1891–1960)

Date: ca. 1925
Accession Number: 2008.96

Image for Renaissance Revival Room

The Renaissance Revival Room comes from the "princely mansion" built for Jedediah Wilcox and his wife Henrietta. This fashionable rear parlor, or sitting room, with its coordinating architectural details and richly ornamented decoration, includes its original suite of furniture.