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8,339 results for Fragment of textile with horses

Image for Textile as Portable Garden
Intern Sylvia Wu investigates the history and original use of a textile fragment from the Department of Islamic Art's collection.
Image for Grasping the Foot of Lightning in a Maya Scepter Fragment
Assistant Curator James Doyle analyzes a jade fragment from the Met's collection that may have originally formed the base of a scepter depicting the Maya god of lightning, K'awiil.
Image for Threads of History: Digitizing Textile Sample Books
Former Intern Ursula Romero discusses digitizing textile sample books in Thomas J. Watson Library. 
Image for Shaffron and Sultanate: Horse Armor for Indo-Islamic Royalty
Mellon Curatorial Fellow Rachel Parikh examines a shaffron (a piece of armor for a horse's head) potentially used by Indo-Islamic royalty.
Image for Diversity and Exquisiteness: Examples of Three Asian Textile Sample Books
Senior Book Conservation Coordinator Andrijana Sajic discusses three Asian textile sample books in the collection of Thomas J. Watson Library.
Image for Exploring Art Deco Textile and Fashion Designs
Research Volunteer Laura Beltran-Rubio highlights examples of Art Deco textile and fashion designs featured in French illustrated pattern books from The Met collection.
Image for Elegant and Exact: George Stubbs's <br />*The Anatomy of the Horse*
Research Assistant Carol Santoleri explores George Stubbs's groundbreaking 1766 treatise.
Image for Looking at Islamic Carpets with Walter B. Denny
Guest blogger Walter B. Denny reflects upon his love of Islamic carpets and his two decades of working with the staff and resources of the Met's Antonio Ratti Textile Center.
Image for Interwoven Globe: The Worldwide Textile Trade, 1500–1800
The golden age of European navigation engendered a flourishing textile trade, causing a breathtaking variety of textile designs to travel across the globe. These textiles blended the traditional designs, skills, and tastes of the cultures that produced them with those of their destinations, resulting in objects that are both intrinsically beautiful and historically intriguing. While previous studies have focused on this story from the viewpoint of trade, Interwoven Globe is the first book to investigate it as a history of design—and to approach it from a universal perspective. Richly illustrated texts examine the interrelationship of textiles, commerce, and taste from the Age of Discovery to the 19th century, providing detailed discussions of more than 120 works. From India with its renowned mastery of dyed-and-painted cotton to the sumptuous silks of Japan and China, Turkey, and Iran, the paths of influence are traced westward to Europe and the Americas. Shaped by an emerging worldwide visual culture, the fashion for the "exotic" in textiles, as well as in other goods and art forms, gave rise to what can be called the first global style. Written by an interdisciplinary curatorial team, this fascinating exploration will appeal to readers interested in art history, fashion and style, textile design, and world events of the early modern period.
Image for Do Gods Sleep? Ancient Maya Deity Houses at Copán, Honduras
Assistant Curator James Doyle explores a house form on view in Design for Eternity: Architectural Models from the Ancient Americas thought to have served as a temporary dwelling for gods and goddesses in the human world.
Image for Fragment of textile with horses
Timeline of Art History

Fragment of textile with horses

Date: ca. 5th–7th century A.D.
Accession Number: 2004.255

Image for Portrait of William Duguid
Artwork

Portrait of William Duguid

Prince Demah Barnes

Date:1773
Medium:Oil on canvas
Accession Number:2010.105
Location:On view at The Met Fifth Avenue in Gallery 723
Image for Fragment of textile with horses
Date:ca. 5th–7th century CE
Medium:Silk textile
Accession Number:2004.255
Location:Not on view
Image for Panel with Horse Heads
Date:11th century
Medium:Wood (teak); carved
Accession Number:11.205.2
Location:On view at The Met Fifth Avenue in Gallery 454
Image for Textile Fragment
Date:mid-16th century
Medium:Silk, metal wrapped thread; lampas (kemha)
Accession Number:52.20.22
Location:On view at The Met Fifth Avenue in Gallery 459
Image for Fragment of the marble stele (grave marker) of a hoplite (foot soldier)
Date:ca. 525–515 BCE
Medium:Marble, Hymettian
Accession Number:38.11.13
Location:On view at The Met Fifth Avenue in Gallery 154
Image for Fragment
Artwork

Fragment

Date:9th–10th century
Medium:Stone; carved
Accession Number:40.170.403
Location:On view at The Met Fifth Avenue in Gallery 453
Image for Composed Armor for Man and Horse
Artwork

Composed Armor for Man and Horse

Left reinforcing elbow stamped with marks belonging to the Missaglia workshop (Italian, Milan, recorded 1430–1529)

Date:ca. 1450–1525 and later
Medium:Steel, brass, leather, textile (velvet, wool), iron
Accession Number:29.150.9
Location:On view at The Met Fifth Avenue in Gallery 373

See an alphabetical list of current full-time staff in the Department of Textile Conservation.

Image for Textile Fragment
Date:14th century
Medium:Silk; lampas
Accession Number:29.22
Location:Not on view