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3,707 results for Jewelry Collection

Image for _Connections_: Jewelry
video

Connections: Jewelry

February 14, 2011

By Debbie T. Kuo

Departmental administrator Debbie Kuo, jewelry designer, talks about her favorite pieces of jewelry from The Met collection.
Image for Turkmen Jewelry from the Collection of Marshall and Marilyn R. Wolf
Past Exhibition

Turkmen Jewelry from the Collection of Marshall and Marilyn R. Wolf

9 octobre 2012–24 février 2013
Image for Jewelry: The Body Transformed
Past Exhibition

Jewelry: The Body Transformed

12 novembre 2018–24 février 2019
What is jewelry? Why do we wear it? What meanings does it carry? Traversing time and space, this exhibition explores how jewelry acts upon and activates the body it adorns. This global conversation about one of the most personal and universal of ar…
Image for Near Eastern Jewelry: A Picture Book
This picture book was composed in 1940 to display choice pieces from the Museum's Near East jewelry collection. Along with its array of photographs, the assembling curators have provided an introductory essay on the history and cultures that surround each of these carefully crafted ornaments, as well as the techniques used to produce them.
Image for Turkmen Jewelry
Essay

Turkmen Jewelry

August 1, 2011

By Department of Islamic Art

Turkmen silver jewelry carried deep symbolic meanings and often marked an individual’s passage from one stage of life to another.
Image for Unique by Design: Contemporary Jewelry in the Donna Schneier Collection
The collection of post-World War II jewelry assembled by Donna Schneier chronicles the history of modern and contemporary jewelry worldwide. Her gift to The Metropolitan Museum of Art of 132 necklaces, bracelets, brooches, earrings, and rings created by 88 makers embodies an era in which artists and craftspeople experimented with new materials, techniques and concepts. The artists represented in the Donna Schneier Collection conceived their works within larger artistic movements, signaling a period in which concepts and ideas were valued more than precious materials. They were inspired by important turn-of-the-twentieth-century jewelers such as René Lalique and Louis Comfort Tiffany, but also looked to artists like Alexander Calder—who began making jewelry in the 1930s—and midcentury modernists like Art Smith and Sam Kramer. Abstraction, Conceptual art, and Minimalism were all powerful influences, along with earlier modernist movements such as the Bauhaus and De Stijl. Performance art, Pop art, and a keen interest in narrative and figurative work also came into play.
Image for Nineteenth-Century American Jewelry
Essay

Nineteenth-Century American Jewelry

October 1, 2004

By Beth Carver Wees

Like domestic silver, jewelry is both utilitarian and a distinct marker of social status.
Image for A Jewelry Designer's Tour of the Met
editorial

A Jewelry Designer's Tour of the Met

May 8, 2015

By Debbie T. Kuo

Debbie Kuo, a jewelry designer and the administrator in the Department of Greek and Roman Art, shares artworks that inspire her designs.
Image for Turkmen Jewelry: Silver Ornaments from the Marshall and Marilyn Wolf Collection
Best known for their carpets and textiles, the nomadic Turkmen people of Central Asia have also long distinguished themselves as the makers of extraordinary silver jewelry. This book presents more than two hundred examples of Turkmen jewelry, created in the nineteenth century and early twentieth centuries, from the renowned collection of Marshall and Marilyn R. Wolf. These remarkable objects—crowns and headbands, armbands and rings, necklets and amulet holders—are characterized by graceful forms, bold geometry, delicate openwork, and often enormous scale. Working with a limited set of materials (silver accented by gold, carnelian, turquoise, and colored glass) and relatively simple techniques, Turkmen silversmiths used great ingenuity to achieve their dazzling effects. This book, the first publication in the United States devoted to Turkmen jewelry, highlights the aesthetic aspects of these objects, which until recently were valued primarily for their ethnographic significance. Layla S. Diba situates Turkmen ornament within both its historical context and the tradition of Islamic jewelry production. By taking an art historical approach and provided detailed formal analysis of the objects, supplemented by gorgeous color photographs, this publication broadens the appreciation of these vibrant, monumental pieces, elevating them from folk art to fine art.
Image for Fatimid Jewelry
Essay

Fatimid Jewelry

February 1, 2018

By Courtney A. Stewart

Opulent jewels in the Fatimid period were worn by both men and women, and likely served more than just an ornamental purpose.