By the outbreak of World War I, with the discovery of his genius by the Fauves and German Expressionists, Vincent van Gogh had already come to be regarded as a vanguard figure in the history of modern art.

Vincent van Gogh (Dutch, 1853–1890) believed that drawing was "the root of everything." A self-taught artist, he succeeded, between 1881 and 1890, in developing an inimitable graphic style. This book traces the artist's successive triumphs as a draftsman, first in the Netherlands and later in France, highlighting the diversity of his technical invention and the striking continuity of his vision. Given the pivotal role drawings played in Van Gogh's artistic conception and the rich dialectic they enjoyed with his oil paintings, a small selection of related canvases by the artist is also featured. This book presents approximately 120 works in charcoal, ink, graphite, watercolor, and diluted oils. The authors explore enduring questions that surround Van Gogh's drawings, including their manufacture, artistic precedents, and contribution to Modernism. In addition, the text discusses the significance of the artist's drawing practice to his development as a painter. The essays and entries feature the most current research on Van Gogh's drawings and provide fresh interpretations of the motivating influences that shaped the artist's contributions to the history of drawing.

Largely self-taught, Van Gogh believed that drawing was “the root of everything.”

Near the end of his life, Vincent van Gogh moved from Paris to the city of Arles in southeastern France, where he experienced the most productive period of his artistic career.

Former High School Intern Mely explains how Vincent van Gogh taught her to stay open to learning.

Follow Emma Scully through time as she encounters Van Gogh.

Former High School Intern Luca describes Vincent van Gogh's Cypresses, currently on view in gallery 826.