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12,435 results for furniture

Image for Shaker Furniture
Essay

Shaker Furniture

March 1, 2012

By Nicholas C. Vincent

Shaker communities were largely self-sufficient: in their attempt to separate themselves from the outside world and to create a heaven-on-earth, members grew their own food, constructed their own buildings, and manufactured their own tools and household furnishings.
Image for French Furniture in the Eighteenth Century: Seat Furniture
Essay

French Furniture in the Eighteenth Century: Seat Furniture

October 1, 2003

By Daniëlle Kisluk-Grosheide

Since only the menuisier was obliged to sign his work, the names of the other craftsmen are, unfortunately, rarely known.
Image for French Furniture in the Eighteenth Century: Case Furniture
Essay

French Furniture in the Eighteenth Century: Case Furniture

October 1, 2003

By Daniëlle Kisluk-Grosheide

One of the most gifted and successful cabinetmakers of the second half of the eighteenth century, Riesener was the favorite of Queen Marie Antoinette.
Image for American Japanned Furniture
As European and American interest in Asian art grew in the sixteenth to eighteenth centuries, Western consumers coveted expensive lacquerware for its gloss, durability, and rich ornament. This edition of the Bulletin examines the evolving discourse surrounding japanned furniture, an artform cultivated by European and North American tradesmen that was inspired by luxury lacquer items from China and Japan. Using resin from native conifers or imported sandarac, copal, and shellac, they imitated the medium and the motifs used in traditional lacquer objects. Featuring more than a dozen examples of japanned chests, tables, and mirrors, American Japanned Furniture discusses the works’ patronage and aesthetic origins while also uncovering a new artistic attribution to Thomas Johnston for key examples in The Met’s Collection– a discovery which not only sheds new light on Johnston’s work, but also helps shape a new understanding of the Museum’s japanned furniture.
Image for The Golden Age of French Furniture in the Eighteenth Century
Essay

The Golden Age of French Furniture in the Eighteenth Century

October 1, 2003

By Daniëlle Kisluk-Grosheide

French furniture of this period was the collaborative effort of various artists and craftsmen who worked according to strictly enforced guild regulations.
Image for The Calculated Curve: Eighteenth-Century American Furniture
The 2024 reinstallation of the Anthony W. and Lulu C. Wang Galleries of Eighteenth-Century American Art of The Met’s American Wing elevates a pivotal moment in American furniture design between 1720 and 1770. This fresh installation encourages us t…
Image for American Furniture, 1620–1730: The Seventeenth-Century and William and Mary Styles
Furniture in the early Baroque, or William and Mary, style broke away from the solid, horizontal massing and rectilinear outlines of the preceding era.
Image for Chippendale's Director: A Manifesto of Furniture Design
Published to coincide with the three hundredth anniversary of the birth of Thomas Chippendale, England’s most famous cabinetmaker, this issue of the Bulletin addresses the history of Chippendale works at The Met. Morrison H. Heckscher recounts the designer’s meteoric rise from rural obscurity to the heights of the London luxury trade, crediting that remarkable success to the publication of the Chippendale Director, an instructive book on furniture design and ornament. The text analyzes the Museum’s rare collection of drawings by Chippendale, revealing a gifted and highly imaginative designer who mastered what today would be called branding. Illustrating a wide selection of the Director drawings alongside furniture inspired by the Director or actually made in Chippendale’s shop, this Bulletin features works of art that attest to the museum’s century-long infatuation with drawing, prints, books, and furniture in the Chippendale style.
Image for Architecture, Furniture, and Silver from Colonial Dutch America
Essay

Architecture, Furniture, and Silver from Colonial Dutch America

October 1, 2003

By Beth Carver Wees and Peter M. Kenny

Despite diversity, the persistence of Dutch customs and styles remained strong into the eighteenth century.
Image for Commode à vantaux

David Roentgen (German, Herrnhaag 1743–1807 Wiesbaden, master 1780)

Date: ca. 1775–79 with later alterations
Accession Number: 1982.60.81

Image for Rolltop desk

David Roentgen (German, Herrnhaag 1743–1807 Wiesbaden, master 1780)

Date: ca. 1776–79
Accession Number: 41.82

Image for Apothecary Cabinet

Nicolaus I Kolb (German, master 1582–1621)

Date: 1617–18
Accession Number: 2019.229.1a–c–.32a, b

Image for Combination table

Martin Carlin (French, near Freiburg im Breisgau ca. 1730–1785 Paris)

Date: ca. 1775
Accession Number: 1976.155.99a, b

Image for Drop-front desk (secrétaire à abattant or secrétaire en cabinet)

Attributed to Adam Weisweiler (French, 1744–1820)

Date: ca. 1787
Accession Number: 58.75.57

Image for Commode (commode à vantaux) (part of a set)

Adam Weisweiler (French, 1744–1820)

Date: ca. 1790
Accession Number: 1977.1.12

Image for Drop-front desk (secrétaire à abattant or secrétaire en cabinet)

Attributed to Martin Carlin (French, near Freiburg im Breisgau ca. 1730–1785 Paris)

Date: ca. 1776
Accession Number: 1976.155.110

Image for Miniature secretary incorporating a watch

James Cox (British, ca. 1723–1800)

Date: ca. 1766–72
Accession Number: 46.184a–c

Image for Small desk with folding top (bureau brisé)

Marquetry by Alexandre-Jean Oppenordt (Dutch, 1639–1715, active France)

Date: ca. 1685
Accession Number: 1986.365.3

Image for Mechanical table

Jean Henri Riesener (French, Gladbeck, North Rhine-Westphalia 1734–1806 Paris)

Date: 1781
Accession Number: 49.7.117