Despite the labor-intensive nature of the process, cast mosaic bowls were extremely popular and foreshadowed the appeal that blown glass was to have in Roman society.
Combined with other sumptuous materials such as wood, marble, and other decorative stones, these glass ornaments transformed the interiors of churches, mosques, palaces, and shrines.
By Medill Higgins Harvey, Moira Gallagher, and Anne Grady
A decorative technique that uses an electric current to deposit metal particles from an electrolytic solution into designated recesses on a metal object.
Glass was present in nearly every aspect of daily life—from a lady’s morning toilette to a merchant’s afternoon business dealings to the evening cena, or dinner.
In 1996 mosaics were accidentally uncovered during highway construction in the modern Israeli town of Lod, not far from Tel Aviv (see map). Lod is ancient Lydda, which was destroyed by the Romans in a.d. 66 during the Jewish War. Refounded by Hadrian as Diospolis, Lydda was awarded the rank of a Roman colony under Septimius Severus in a.d. 200.
Roman cameo glass was difficult to produce; the creation of a multilayered matrix presented considerable technical challenges, and the carving of the finished glass required a great deal of skill.
The Roman glass industry drew heavily on the skills and techniques that were used in other contemporary crafts such as metalworking, gem cutting, and pottery production.
