In his inaugural talk at The Met, scholar Neil Cox explores Picasso’s Sketchbook No. 26, which the artist kept until his death. Deciphering written notes and Cubist drawings, Cox reveals Picasso’s drawing processes and explores connections with his other sketchbooks, paintings, drawings, and sculptures from around 1913.

New York University Professor Pepe Karmel explores the evolution of Cubism and its continuing influence in the art world.

Professor of Art History Christopher Green discusses Picasso’s foray into Cubism before his invention of collage primarily through his figure drawings.

Metropolitan Museum conservator Rachel Mustalish makes discoveries beneath the surface of this 1906 drawing, including a link to Pablo Picasso's iconic portrait of Gertrude Stein.

Discover how four Americans living in Paris during the first years of the early 20th century shaped the development of Western art.

Explore one of the most significant Cubist art collections ever assembled from multiple perspectives.

In 1910, Pablo Picasso embarked on the creation of a group of decorative paintings for the Brooklyn residence of artist, collector, and critic Hamilton Easter Field, but the commission was never completed. Delve into the world of private mural commissions and hear from a range of scholars about the history of this unique, yet unrealized, project.

Leonard A. Lauder discusses how he built his collection of works by Pablo Picasso, Juan Gris, Fernand Léger, and Georges Braque.

Lehigh University Assistant Professor Nicholas Sawicki discusses the Czech reception of synthetic Cubism in the works of Picasso, Braque, and Kramář.

Artist Jacques Villeglé reflects on Georges Braque and Pablo Picasso in this episode of The Artist Project.