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18,007 results for watercolor

Image for Conserving Gilliéron’s Watercolors
Starting in 2015, three remarkable watercolors by Emil Gilliéron were studied and conserved, after more than seventy years in storage, to prepare them for the exhibition Watercolors of the Acropolis: Émile Gilliéron in Athens. See how they did it.
Image for Watercolor Painting in Britain, 1750–1850
Essay

Watercolor Painting in Britain, 1750–1850

October 1, 2004

By Elizabeth E. Barker

The technique of water-based painting dates to ancient times, and belongs to the history of many cultures in the world.
Image for Watercolors of the Acropolis: Émile Gilliéron in Athens
In the days before color photography, hand-colored drawings and photographs were the principal means of documenting polychrome Greek art. Beginning in the late 1870s, Émile Gilliéron recorded major archaeological discoveries in Greece shortly after their excavation. This Bulletin, accompanying an exhibition of five watercolors by Gilliéron, features the Swiss draftsman’s drawings of sculptures from the Athenian Acropolis. On view for decades after their acquisition, Gilliéron’s watercolors were eventually retired to The Met's basement, likely in the late 1940s, before the advent of modern conservation practices. Reproductions and copies fell out of fashion, and Gilliéron’s work remained in storage until 2015. In addition to telling the story of the watercolors during Gilliéron’s time, this Bulletin follows the conservators’ heroic efforts to rehabilitate these forgotten pieces. Images of the conserved watercolors, published here for the first time, provide fascinating insight into the sculptures found at the Acropolis as they appeared when they were first unearthed around the turn of the century.
Image for The Robert Lehman Collection. Vol. 8, American Drawings and Watercolors
The five sketchbooks and twenty-two single drawings catalogued in this volume, many of them for the first time, are among the more than 2000 works of art collected by Robert Lehman and his father, Philip Lehman, that since 1975 have been housed in the Robert Lehman Wing of The Metropolitan Museum of Art. Robert Lehman acquired most of these American drawings, which range in date from the late nineteenth century to after 1960, in the decade before he died in 1969. The deft and fascinating watercolors in Maurice Prendergast's Large Boston Public Garden Sketchbook, all reproduced here in full color, are the highlights of this collection. Also of great interest are a book of 140 sketches, never before published, that Prendergast made in the parks and on the boulevards of Paris in the 1890s and three of his watercolors and a figure drawing from the early 1900s, as well as a later watercolor by his brother and collaborator, Charles Prendergast. The catalogue opens with a small pencil drawing by Whistler that can be dated to 1901, when he traveled to Corsica to escape the London winter. Another sketchbook records Robert Henri's trip to Spain in 1906, and yet another contains drawings by the young Marjorie Organ, whom Henri married in 1908. George Luks and William Glackens, who with Maurice Prendergast and Robert Henri were part of the group later known as The Eight, are also represented, as is their friend James Preston. Among the more recent works in the collection is a sketchbook that David Levine filled with his impressions of Europe in 1960, a series of quick but astute sketches drawn by a master of caricature. Carol Clark is Professor of Fine Arts and American Studies at Amherst College in Amherst, Massachusetts. She is co-author, with Nancy Mowll Mathews and Gwendolyn Owens, of Maurice Brazil Prendergast, Charles Prendergast: A Catalogue Raisonné (Munich, 1990).
Image for Watercolor

Edith Lawrence (British, Surrey 1890–1973)

Accession Number: 2019.592.713

Image for Watercolor

Edith Lawrence (British, Surrey 1890–1973)

Accession Number: 2019.592.715

Image for Watercolor

Edith Lawrence (British, Surrey 1890–1973)

Accession Number: 2019.592.716

Image for Watercolor

Edith Lawrence (British, Surrey 1890–1973)

Accession Number: 2019.592.714

Image for Watercolor

Edith Lawrence (British, Surrey 1890–1973)

Accession Number: 2019.592.712

Image for Limestone statue of a sphinx

Date: ca. 550–525 BCE
Accession Number: 43.11.6

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Attributed to Eugene B. Cunningham

Date: 1882
Accession Number: 66.10.41

Image for The Bishop collection: investigations and studies in jade

De Vinne Press (American, New York)

Date: 1906
Accession Number: 139.3 N48 F

Image for The Disrobing of Draupadi

Technical examination uncovers the creative process of a work attributed to the Indian painter Nainsukh.

Image for Self Portrait

Unknown Artist

Date: ca. 1800–1805
Accession Number: 2014.512