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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 26 results for andrea-del-sarto-andrea-dagnolo
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The Holy Family with the Young Saint John the Baptist
Andrea del Sarto (Andrea d'Agnolo)
ca. 1528
Portrait of a Man
Andrea del Sarto (Andrea d'Agnolo)
1528–29
Charity
Andrea del Sarto (Andrea d'Agnolo)
Madonna and Child
Andrea del Sarto (Andrea d'Agnolo)
ca. 1530
Studies of Hands
Andrea del Sarto (Andrea d'Agnolo)
ca. 1517
Study for the Head of Julius Caesar
Andrea del Sarto (Andrea d'Agnolo)
ca. 1520–21
Studies of a Head and a Hand
Andrea del Sarto (Andrea d'Agnolo)
1510
Virgin kneeling before Christ
Pierre Brebiette
1610–42
Saint John the Baptist
Gioan Battista Nocchi
ca. 1843
Virgin and child
Edmond Douet
ca. 1530
Virgin and Child with Saint Catherine, Francis of Assisi and John the Baptist
Giovanni Battista Bonacina
1620–70
The Body of Christ Supported by Three Angels
Agostino Veneziano (Agostino dei Musi)
1516
The Vineyard Owner Hiring Labourers
Cesare Roberti
1563
The Birth of Saint John the Baptist
Andrea del Sarto (Andrea d'Agnolo)
16th century
The Entombment of Christ
Pietro Antonio Leone Bettelini
ca. 1811
Assumption of the Virgin, seated on clouds above and surrounded by angels, the Apostles gathered around her sarcophagus below
Fra Antonio Lorenzini
ca. 1685–1740
Assumption of the Virgin, seated on clouds above and surrounded by angels, the Apostles gathered around her sarcophagus below
Fra Antonio Lorenzini
ca. 1685–1740
The Naming of St. John the Baptist, plate 7 from "Schola Italica Picturae"
Camillo Tinti
1771
Woman and Child Kneeling (recto); Head of Child (verso)
Andrea del Sarto (Andrea d'Agnolo)
16th century
The Holy Family with St. Elizabeth and John the Baptist as a Child
Lucas Vorsterman I
Two Men Standing
1783
Labourers planting a Vine, volume 2, plate 73 from "Monuments des Arts du Dessin"
Gounod
1829
The Visitation
Enea Vico
1561
Old Italian Masters, II, Engraved by Timothy Cole, Japan Proofs
Timothy Cole
1892
(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae
Giovanni Battista Piranesi
1764–73
Seventy-Five Portraits of Celebrated Painters, From "Authentic Originals"
John Girtin
1817