Visiting The Met? The Temple of Dendur will be closed through Friday, May 9.

ticketsMember | Make a donation

Search The Collection

Filter By

Object Type / Material
Geographic Location
Date / Era
Department
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 23 results for nicola-da-urbino
Sort by:
Armorial Plate (tondino): The story of King Midas
Nicola da Urbino
ca. 1520–25
Armorial Plate: Silenus on an ass, supported by Bacchic revelers
Nicola da Urbino
ca. 1520–25
Large Dish (tagliere): Pope Leo X presenting a baton to Federigo II Gonzaga, marquis of Mantua, on his appointment as captain general of the Church in 1521.
Nicola da Urbino
ca. 1525–30
Plate (one of a pair)
Nicola da Urbino
ca. 1525 or later
Drawings of Church Furniture
Fra Francesco da Urbino
1670–86
Portrait of Ippolita Gonzaga
Nicolas Beatrizet
after 1552
Traitté de la Peinture
Leonardo da Vinci
1651
Anthony kneeling in prayer in the right foreground of a landscape, the Virgin appearing as the Mother of Mercy on the left, and three putti look down from clouds at the upper right; heraldic coat-of-arms at bottom center inside a circle
Sir Nicolas Dorigny
ca. 1675–1746
The Descent from the Cross
Sir Nicolas Dorigny
1710
Madonna and Child with Saint Catherine
Charles Nicolas Cochin II
ca. 1750–76
Feste Theatrali Per La Finta Pazza...Drama del Sign. Giulio Strozzi...
Giacomo Torelli da Fano
1645
Plates after Raphael and Desprez
Francesco Piranesi
18th century
A mass being performed in a church, a priest at left standing before the altar, followers gathered behind him, after Polidoro da Caravaggio
Anne Claude Philippe de Tubières, comte de Caylus
ca. 1729–1764
Cours d'Architecture qui comprend les ordres de Vignole, avec des commentaires, les figures & les descriptions de ses plus beaux Bâtiments, de ceux de Michelange
Charles Augustin d'Aviler
1750
A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances, Chiefly by Arthur Pond, & Charles Knapton, London 1734 &c,
Arthur Pond
1732–69
The Works of Jonathan Richardson, Containing I: The Theory of Painting. II: Essay on the Art of Criticism, (So far as it relates to Painting). III: The Science of a Connoisseur
Jonathan Richardson Sr.
1792
Livre Nouveau ou Regles des cinq ordres d'Architecture, par Jacques Barozzio de Vignole. Nouvellement revû, corrigé et augmenté par Monsieur B.*** Architecte du Roy. Avec plusieurs morceaux de Michel-Ange, Vitruve, Mansard, et autres Célebres Architectes
Jacopo [Giacomo] Barozzi da Vignola
1767
Original Designs of the Most Celebrated Masters of the Bolognese, Roman, Florentine, and Venetian Schools. . . In His Majesty's Collection
John Chamberlaine
1812
Portraits of Celebrated Painters with Medallions from Their Best Performances
John M. Corner
1825
Seventy-Five Portraits of Celebrated Painters, From "Authentic Originals"
John Girtin
1817
The Holy Family in a landscape, with ancient buildings in the background; Mary reclines against a stone bench, dangling a piece of fruit over the infant Jesus who sits on her lap; Joseph is seated on the ground to the left reading
Pietro da Cortona (Pietro Berrettini)
ca. 1700–1750
Reduced copy in reverse of the title page to "Galleria Dipinta nel Palazzo del Prencipe Panfilio"; after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661–80
St. Martina kneeling amongst several figures and toppled sculptures of pagan idols, with her arms raised clutching her chest, looking towards a cloudy sky; on the right is a burning pyre
Pietro da Cortona (Pietro Berrettini)
ca. 1758–92