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Evening Snow on the Nurioke, from the series Eight Parlor Views, Suzuki Harunobu Japanese, Woodblock print; ink and color on paper, Japan
Evening Snow on the Nurioke, from the series Eight Parlor Views
Suzuki Harunobu
ca. 1766
The Sacrifice of Polyxena, Charles Le Brun French, Oil on canvas
The Sacrifice of Polyxena
Charles Le Brun
1647
Sri Sri Durga, Lithograph with black ink on paper, India, Kolkata, West Bengal
Sri Sri Durga
India, Kolkata, West Bengal
ca. 1875–80
Samuel P. Avery (1822–1904), Raimundo de Madrazo y Garreta Spanish, Oil on wood
Samuel P. Avery (1822–1904)
Raimundo de Madrazo y Garreta
1876
mistikôsiwak (Wooden Boat People): Welcoming the Newcomers, Kent Monkman Canadian, Acrylic on canvas
mistikôsiwak (Wooden Boat People): Welcoming the Newcomers
Kent Monkman
2019
Ensemble, Céline French, ramie, synthetic (viscose and lycra), cottton, leather, French
Ensemble
Design House Céline
Designer Phoebe Philo
(print) Yves Klein
spring/summer 2017
The Innocent Eye Test, Mark Tansey American, Oil on canvas
The Innocent Eye Test
Mark Tansey
1981
Mother and Child, George de Forest Brush American, Oil on wood, American
Mother and Child
George de Forest Brush
1894
Mounted Hussar, Ernest Meissonier French, Red wax, wood, metal, leather and cord, French
Mounted Hussar
Modeler Ernest Meissonier
1866–75
Landscape, Unidentified Artist, Hanging scroll; ink and color on paper, Japan
Landscape
Unidentified
Inscription by Ten’in Ryūtaku
late 15th century
Snowy Landscape, Toki Tōbun Japanese, Fan mounted as a hanging scroll; ink, gold wash, and mica on paper, Japan
Snowy Landscape
Toki Tōbun
ca. 1550
Early Autumn after Qian Xuan, Yu Jingzhi Chinese, Handscroll; ink on paper, China
Early Autumn after Qian Xuan
Yu Jingzhi
after Qian Xuan
Dated 1938
mistikôsiwak (Wooden Boat People): Resurgence of the People, Kent Monkman Canadian, Acrylic on canvas
mistikôsiwak (Wooden Boat People): Resurgence of the People
Kent Monkman
2019
Lady Ruthven, Hill and Adamson British, Scottish, Salted paper print from paper negative
Lady Ruthven
Photography Studio Hill and Adamson
David Octavius Hill
Robert Adamson
ca. 1845
Painting, Jean Audran French, Etching
Painting
Engraver Jean Audran
After Girard Audran
1690
Five numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Painting and Poetry mourning the death of Agostino Carracci, painted by Francesco Brizio; 2. Painting with a lyre and Apollo pointing to stars on Carracci's grave, design by Giacomo Cavedone; 3. The head of Christ, painted by Agostino Carracci; 4. Prometheus with a torch and Athena behind him, painted by Alessandro Albini; 5. Aurora abducting Cephalus, painted by Leonello Spada., Guido Reni Italian, Etching
Five numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Painting and Poetry mourning the death of Agostino Carracci, painted by Francesco Brizio; 2. Painting with a lyre and Apollo pointing to stars on Carracci's grave, design by Giacomo Cavedone; 3. The head of Christ, painted by Agostino Carracci; 4. Prometheus with a torch and Athena behind him, painted by Alessandro Albini; 5. Aurora abducting Cephalus, painted by Leonello Spada.
Multiple artists/makers
1603
Five numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Virtue vanquishing Envy and Fortune, painted by Giulio Cesare Parigino; 2. Apollo and the Muses at the tomb of Agostino Carracci, painted by Luigi Valesio; 3. Mercury pointing to a constellation with the personification of Painting and that of the city of Bologna, Felsina, painted by Aurelio Benelli; 4. Personification of Painting being comforted by Poetry, and the personification of a river at right, painted by Lodovico Carracci; 5. Allegory of Knowledge and Vigilance chasing Envy out of Heaven, painted by Lorenzo Garbieri., Guido Reni Italian, Etching
Five numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Virtue vanquishing Envy and Fortune, painted by Giulio Cesare Parigino; 2. Apollo and the Muses at the tomb of Agostino Carracci, painted by Luigi Valesio; 3. Mercury pointing to a constellation with the personification of Painting and that of the city of Bologna, Felsina, painted by Aurelio Benelli; 4. Personification of Painting being comforted by Poetry, and the personification of a river at right, painted by Lodovico Carracci; 5. Allegory of Knowledge and Vigilance chasing Envy out of Heaven, painted by Lorenzo Garbieri.
Multiple artists/makers
1603
Saint Benedict at the School in Rome, Andrea Lilli (Lilio) Italian, Red chalk, brush and red wash, squared in red chalk
Saint Benedict at the School in Rome
Andrea Lilli (Lilio)
ca. 1630–35
The National Academy Jury of 1907, F. Luis Mora American, born Uruguay, Oil on canvas, American
The National Academy Jury of 1907
F. Luis Mora
1907
Dido's Sacrifice to Juno, Jean Bernard Restout French, Oil paint, over pen and brown ink, brush and brown wash, on paper, mounted on canvas
Dido's Sacrifice to Juno
Jean Bernard Restout
Former Attribution Formerly attributed to Joseph Marie Vien
Former Attribution Formerly attributed to Jean-Baptiste Marie Pierre
ca. 1772–74
Paris Series: Petit Palais, Glen Hansen American, Oil on Masonite
Paris Series: Petit Palais
Glen Hansen
1997
The Sorrow of Telemachus, Angelica Kauffmann Swiss, Oil on canvas
The Sorrow of Telemachus
Angelica Kauffmann
1783
Modern Rome, Giovanni Paolo Panini Italian, Oil on canvas
Modern Rome
Giovanni Paolo Panini
1757
Five numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Ceres lamenting the death of Carracci before Jupiter, painted by Ippolito Ferrantini; 2. Personification of Painting entrusting Carracci's body to Fame, painted by Giovanni Battista Bertusi; 3. The Fates leading the blindfolded Carracci to the foot of Jupiter's throne, painted by Lucio Massari; 4. Three rivers representing the cities of Bologna, Rome and Parma (Reno, Tiber and Parma) with Fame at left, designed by Sebastiano Razzali and painted by Baldessare Aloisi Galanini; 5. Agostino Carracci abducted by Mars who is jealous of the artist's portrait of Adonis made for a Farnese gallery panel, painted by Giovanni Battista Busi., Guido Reni Italian, Etching
Five numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Ceres lamenting the death of Carracci before Jupiter, painted by Ippolito Ferrantini; 2. Personification of Painting entrusting Carracci's body to Fame, painted by Giovanni Battista Bertusi; 3. The Fates leading the blindfolded Carracci to the foot of Jupiter's throne, painted by Lucio Massari; 4. Three rivers representing the cities of Bologna, Rome and Parma (Reno, Tiber and Parma) with Fame at left, designed by Sebastiano Razzali and painted by Baldessare Aloisi Galanini; 5. Agostino Carracci abducted by Mars who is jealous of the artist's portrait of Adonis made for a Farnese gallery panel, painted by Giovanni Battista Busi.
Multiple artists/makers
1603
Artist and Model, Sidney Simon American, Encaustic on canvas
Artist and Model
Sidney Simon
1948
An Academy of Painters, Pierfrancesco Alberti Italian, Etching
An Academy of Painters
Pierfrancesco Alberti
1600–38
Nymph and Putti; Nymph with a Wreath and Putti with Garlands of Flowers, Piat Joseph Sauvage Flemish, Oil on slate
Nymph and Putti; Nymph with a Wreath and Putti with Garlands of Flowers
Piat Joseph Sauvage
Allegory of the Arts (one of a pair), Le Riche, Oil on canvas, French
Allegory of the Arts (one of a pair)
Manner of Le Riche
18th century
The British Institution, Pall Mall, Thomas Rowlandson British, Hand-colored etching and aquatint
The British Institution, Pall Mall
Multiple artists/makers
April 1, 1808
Ceremonial scene with Abundance and Piping Pan, Adam Partnership British, Oil on canvas, British
Ceremonial scene with Abundance and Piping Pan
Adam Partnership
Designer Robert Adam
1765–66
Allegory of the Arts, Joseph Marie Vien French, Pen and black ink, brush and brown wash, over faint black chalk underdrawing
Allegory of the Arts
Joseph Marie Vien
1796
Ancient Rome, Giovanni Paolo Panini Italian, Oil on canvas
Ancient Rome
Giovanni Paolo Panini
1757
Apollon couronnant les arts (Apollo Crowining the Arts), from Recueil de Différentes Compositions Frises et Ornements dessinées et gravées à la manière du lavis par La Grenée le Juene Se trouve chez l'Auteur, au Louvre et chez Basan, rue et Hôtel Serpente A Paris, in an album containing Recueil de Compositions par Lagrenée Le Jeune (Collection of Compositions by Lagrenée the Younger), Jean Jacques Lagrenée French, Etching and aquatint
Apollon couronnant les arts (Apollo Crowining the Arts), from Recueil de Différentes Compositions Frises et Ornements dessinées et gravées à la manière du lavis par La Grenée le Juene Se trouve chez l'Auteur, au Louvre et chez Basan, rue et Hôtel Serpente A Paris, in an album containing Recueil de Compositions par Lagrenée Le Jeune (Collection of Compositions by Lagrenée the Younger)
Jean Jacques Lagrenée
1784
Study For Liberty Displaying the Arts and Sciences, or The Genius of America Encouraging the Emancipation of the Blacks, Samuel Jennings American, Oil on canvas, American
Study For Liberty Displaying the Arts and Sciences, or The Genius of America Encouraging the Emancipation of the Blacks
Samuel Jennings
ca. 1791–92
Royal Academy, Somerset House, London, Thomas Rowlandson British, Hand-colored etching
Royal Academy, Somerset House, London
Thomas Rowlandson
1811
Drawing from Life at the Royal Academy, Somerset House, Thomas Rowlandson British, Hand-colored etching and aquatint
Drawing from Life at the Royal Academy, Somerset House
Multiple artists/makers
January 1, 1808
Alexander the Great Offering His Concubine Campaspe to the Painter Apelles, Gaetano Gandolfi Italian, Black chalk (stumped), highlighted with white, on brownish paper
Alexander the Great Offering His Concubine Campaspe to the Painter Apelles
Gaetano Gandolfi
1793–97
The Microcosm of London, or London in Miniature, Vol. I, William Henry Pyne British, Illustrations: hand-colored etching and aquatint
The Microcosm of London, or London in Miniature, Vol. I
Multiple artists/makers
1808–11
Poetry and History Presenting Painting with Subjects, Francesco Bartolozzi Italian, Etching and engraving
Poetry and History Presenting Painting with Subjects
Francesco Bartolozzi
After William Hamilton
Publisher Thomas Macklin
1794
A Difficult Question (Une Question Difficile), Ignaz Marcel Gaugengigl American, Oil on panel, American
A Difficult Question (Une Question Difficile)
Ignaz Marcel Gaugengigl
1883
The Boston Athenaeum, Charles Bittinger American, Oil on canvas
The Boston Athenaeum
Charles Bittinger
1922
An Allegory, Domenico Guidobono Italian, Oil on canvas
An Allegory
Domenico Guidobono
1710–20

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