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Polyptych, Gilded silver, gold, niello, ivory head, hands & feet of sculpture, Franco-Netherlandish
Franco-Netherlandish
19th century
The Nativity Polyptych, Rogier van der Weyden  Netherlandish, Oil on oak, Netherlandish
Workshop of Rogier van der Weyden
ca. 1450–60
Tabernacle Polyptych with the Madonna and Child and Scenes from the Life of Christ, Ivory with traces of original gilding and polychromy; silver hinges., Northern France (?)
Northern France (?)
ca. 1275–1300
The Life and Miracles of Saint Godelieve, Master of the Saint Godelieve Legend  Netherlandish, Oil on wood
Master of the Saint Godelieve Legend
Four Icons from a Pair of Doors (Panels), possibly part of a Polyptych: John the Theologian and Prochoros, the Baptism (Epiphany), Harrowing of Hell (Anastasis), and Saint Nicholas, Tempera and gold on wood, Byzantine
Byzantine
early 15th century
Madonna and Child with Saints, Giovanni di Paolo (Giovanni di Paolo di Grazia)  Italian, Tempera on wood, gold ground
Giovanni di Paolo (Giovanni di Paolo di Grazia)
1454
Panel from a polyptych, Poplar. Gilt; deep orange bole., Neopolitan(?)
Neopolitan(?)
before 1343
Panel from a polyptych, Wood, Sienese
Sienese
14th century
Panel from a polyptych, Wood, Sienese
Sienese
14th century
Engaged cassetta frame on a polyptych panel, Siena  Siena, Poplar. Mitered. Gilt; brown-orange bole., Sienese
Siena
ca. 1380
Engaged molding on a polyptych panel, Siena  Siena, Poplar. Gilt; deep brown-orange bole., Italian, Siena
Siena
ca. 1345
Engaged molding on a polyptych panel, Poplar. Carved, gilt: deep red bole., Sienese
Sienese
ca. 1440
Cassetta frame on a polyptych panel, Poplar. Mitered. Gilt; red-orange bole; red, blue, and white color., Italian, Siena
Italian, Siena
ca. 1325
Cassetta frame on a polyptych panel, Poplar. Mitered. Gilt; red-orange bole; red, blue, and white color., Italian, Siena
Italian, Siena
ca. 1325
Engaged molding on a polyptych panel, Poplar. Gilt; deep brown-orange bole., Italian, Siena
Italian, Siena
ca. 1345–55
Folding Devotional Shrine with Scenes from Christ's Passion, Elephant Ivory, with modern paint, gilding, and metal mounts, French or German
French or German
ca. 1350
The Pérussis Altarpiece, Nicolas Froment  French, Oil and gold on wood
Circle of Nicolas Froment
1480
Wing of a Polyptych: Presentation in the Temple, Ivory with traces of original red polychromy, Northeastern France (?)
Northeastern France (?)
ca. 1325–50
Saint Michael; The Mass of Saint Gregory; Saint Jerome, Master of the Saint Catherine Legend  Netherlandish, Oil on wood
Master of the Saint Catherine Legend
Saint Benedict, Segna di Buonaventura  Italian, Tempera on wood, gold ground
Segna di Buonaventura
1320s
Saint Silvester Gozzolini, Segna di Buonaventura  Italian, Tempera on wood, gold ground
Segna di Buonaventura
1320s
Madonna and Child, Segna di Buonaventura  Italian, Tempera on wood, gold ground
Segna di Buonaventura
ca. 1320
The Annunciation, Gerard David  Netherlandish, Oil on wood
Gerard David
1506
Saint John the Evangelist, Segna di Buonaventura  Italian, Tempera on wood, gold ground
Segna di Buonaventura
ca. 1320
Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus, Gerard David  Netherlandish, Oil on oak panel
Gerard David
ca. 1510
The Madonna of Humility, the Annunciation, the Nativity, and the Pietà, Bartolomeo Vivarini  Italian, Tempera and gold on wood
Bartolomeo Vivarini
ca. 1465
Sunburned, GSP #166, Mohave/Winter Solstice, Chris McCaw  American, Gelatin silver prints
Chris McCaw
2007
The Coronation of the Virgin, and Saints, Giovanni di Tano Fei  Italian, Tempera on wood, gold ground
Giovanni di Tano Fei
1394
Necessity 7, Peter Sacks  American, born South Africa, Fabric, ink on fabric, lace, acrylic paint, and cardboard glued on canvas
Peter Sacks
2007–9
Madonna and Child, Simone Martini  Italian, Tempera on wood, gold ground
Simone Martini
ca. 1326
Archangel Gabriel; The Virgin Annunciate, Gerard David  Netherlandish, Oil on oak panel
Gerard David
ca. 1510
Ichikawa Danjuro V as a Chivalrous Commoner (Gonin Otoko) from the Play "Hatsumonbi kuruwa Soga", Katsukawa Shunshō 勝川春章  Japanese, Pentaptych of woodblock prints (nishiki-e); ink and color on paper, Japan
Katsukawa Shunshō 勝川春章
2nd month, 1780
Triptych, Yuri Kuper  British, Oil, wood, glass, pen nibs, and ceramic plate on canvas
Yuri Kuper
1987
"When Called Upon / Gathering in the Wake," from "Lore: What We Were Told / What We Saw / What We Tell Ourselves", Stephanie Santana  American, Screenprint, quilting cotton with hand-painted elements
Stephanie Santana
Publisher Black Women of Print
2023
Triptych, Dorothy Ruddick  American, Silk and linen
Designer Dorothy Ruddick
1978
Usuyuki, Jasper Johns  American, Screenprint
Jasper Johns
Publisher Jasper Johns
Publisher Simca Print Artists Inc.
1981
The Beginning, Max Beckmann  German, Oil on canvas
Max Beckmann
1946–49
New Year's Day at the Ōgiya Brothel, Yoshiwara, Katsushika Hokusai  Japanese, Pentaptych of woodblock prints; ink and color on paper, Japan
Katsushika Hokusai
ca. 1804
Icon triptych of Ewosṭatewos and eight of his disciples, Northern Highlands artist, Wood, tempera, cord, Amhara
Northern Highlands artist
late 17th century
Fair of Face, Full of Woe, Cecily Brown  British, Oil on canvas
Cecily Brown
2008
A Monkey Mountain Kronikle, Tom Hück, Woodcut, printed recto and verso on four sheets of Torinoko Japanese Paper using Tom Hück's Outlaw Black Relief Ink by Gamblin and an overleaf printed on black paper with white ink; the three leaves of the triptych connected with stickers
Tom Hück
Publisher Evil Prints
Publisher Peacock Visual Arts Ltd.
2018–22
Book of Hours: 1890, Sabina Ott  American, Oil on canvas
Sabina Ott
1984

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