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1-42 of 133,415 results for safavid-art
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Safavid Courtiers Leading Georgian Captives, Silk, metal wrapped thread; lampas
Safavid Courtiers Leading Georgian Captives
mid-16th century
Groom and Rider, Ink and watercolor on paper
Groom and Rider
1540–50
Carpet with Palm Trees, Ibexes, and Birds, Cotton (warp and weft), wool (pile); asymmetrically knotted pile
Carpet with Palm Trees, Ibexes, and Birds
late 16th–early 17th century
Silk Kashan Carpet, Silk (warp, weft and pile); asymmetrically knotted pile
Silk Kashan Carpet
16th century
Cuirass (<i>Char-aina</i>), Steel, iron, gold, leather, textile (wool), Persian, Safavid
Cuirass (Char-aina)
Persian, Safavid
17th–early 18th century
Dragon-Handled Jug with Inscription, Brass; cast and turned, engraved, and inlaid with silver, gold, and black organic compound
Dragon-Handled Jug with Inscription
early 16th century
The Emperor's Carpet, Silk (warp and weft), wool (pile); asymmetrically knotted pile
The Emperor's Carpet
second half 16th century
Critics' show, Grand Central Art Galleries
Critics' show
Grand Central Art Galleries
1946
Elephant-Shaped Kendi, Stonepaste; painted in shades of blue under transparent glaze
Elephant-Shaped Kendi
second quarter 17th century
Silk Velvet Designed by 'Ghiyath', Ghiyath Iranian, Silk, cut and voided velvet with continuous floats of flat metal thread
Silk Velvet Designed by 'Ghiyath'
Ghiyath
second half 16th century
Velvet with Figural Imagery, Silk, metal wrapped thread; cut and voided velvet
Velvet with Figural Imagery
mid-16th century
Velvet Panel with Flowering Plants, Silk, cotton, flat metal wrapped thread; cut and voided velvet, brocaded
Velvet Panel with Flowering Plants
first half 17th century
The Anhalt Medallion Carpet, Cotton (warp), silk (weft), wool (pile); asymmetrically knotted pile
The Anhalt Medallion Carpet
probably first half 16th century
Engraved Bowl, Copper; cast, engraved, tinned, and inlaid with a black compound
Engraved Bowl
early 17th century
Art Students, Louis Lang American, Oil on canvas, American
Art Students
Louis Lang
ca. 1871
Untitled (Human Mask), Pierre Huyghe French, Single-channel video, color, sound, 19 min.
Untitled (Human Mask)
Pierre Huyghe
2014
The Cathedrals of Art, Florine Stettheimer American, Oil on canvas
The Cathedrals of Art
Florine Stettheimer
1942
Textile Fragment, Silk; cut and voided velvet with continuous floats of flat metal thread
Textile Fragment
ca. 1540
A Princely Hunt, Ink, gold, and watercolor on paper
A Princely Hunt
late 16th century
Provenance, Amie Siegel American, Single-channel digital video, color, sound, 40 min., 30 sec.
Provenance
Amie Siegel
2013
Crane Art, William Wegman American, Single-channel digital video, transferred from Sony CV 1/2-inch video tape, black-and-white, sound, 1 min., 2 sec.
Crane Art
William Wegman
1970
Satire on Art Criticism, Rembrandt (Rembrandt van Rijn) Dutch, Pen and brown ink corrected with white.
Satire on Art Criticism
Rembrandt (Rembrandt van Rijn)
1644
"Isfandiyar's Third Course: He Slays a Dragon", Folio 434v from the Shahnama (Book of Kings) of Shah Tahmasp, Abu'l Qasim Firdausi Iranian, Opaque watercolor, ink, silver, and gold on paper
"Isfandiyar's Third Course: He Slays a Dragon", Folio 434v from the Shahnama (Book of Kings) of Shah Tahmasp
Abu'l Qasim Firdausi
Qasim ibn 'Ali
ca. 1530
For Success in Art, William Wyon British, Gold, British, London
For Success in Art
William Wyon
The Royal Mint
1856
Textile Fragment with Sailing Ships, Silk, metal wrapped thread; double weave
Textile Fragment with Sailing Ships
ca. 1600
Pen Box (Qalamdan) Depicting Shah Isma'il in a Battle against the Uzbeks, Papier-maché; painted and lacquered
Pen Box (Qalamdan) Depicting Shah Isma'il in a Battle against the Uzbeks
early 19th century
Love Is The Message, The Message Is Death, Arthur Jafa American, Single-channel digital video, color, sound, 7 min., 25 sec.
Love Is The Message, The Message Is Death
Arthur Jafa
2016
The Lightning Testimonies, Amar Kanwar Indian, Eight-channel digital video installation, black-and-white and color, sound, 32 min., 31 sec.
The Lightning Testimonies
Amar Kanwar
2007
The Lovers, Riza-yi 'Abbasi Iranian, Opaque watercolor, ink, and gold on paper
The Lovers
Riza-yi 'Abbasi
dated 1039 AH/1630 CE
The art of the Saracens in Egypt, Stanley Lane-Poole
The art of the Saracens in Egypt
Stanley Lane-Poole
Chapman & Hall
1886
Vase, Clifton Art Pottery American, Porcelaneous stoneware, American
Vase
Clifton Art Pottery
1906
Vase, Clifton Art Pottery American, Porcelaneous stoneware, American
Vase
Clifton Art Pottery
1906
Luster-Painted Bottle, Stonepaste; luster-painted on opaque white glaze, with silver fittings
Luster-Painted Bottle
second half 17th century
Vase with Scrolling Vines, Stonepaste; painted in blue under transparent glaze
Vase with Scrolling Vines
17th century
I am Making Art, John Baldessari American, Single-channel digital video, transferred from video tape, black-and-white, sound, 18 min., 40 sec.
I am Making Art
John Baldessari
1971
Tile Panel, Stonepaste; polychrome glazed within black wax resist outlines (cuerda seca technique)
Tile Panel
first quarter 17th century
Pear-Shaped Bottle with Birds, Stonepaste; polychrome painted under transparent glaze
Pear-Shaped Bottle with Birds
17th century
Man Holding a Bottle and a Cup, Ink, opaque watercolor, and gold on plaster
Man Holding a Bottle and a Cup
16th–17th century
Engraved Lamp Stand with Cartouches and Medallions, Brass; cast, engraved, and inlaid with black compound
Engraved Lamp Stand with Cartouches and Medallions
16th century
The Negro in American art : an exhibition, University of California Los Angeles
The Negro in American art : an exhibition
University of California Los Angeles
1967
Prince and Groom, Ink, watercolor, and gold on paper
Prince and Groom
mid-16th century style
Illuminated Frontispiece of a Manuscript of the Mantiq al-Tayr (Language of the Birds), Sultan 'Ali al-Mashhadi Iranian, Ink, opaque watercolor, silver, and gold on paper
Illuminated Frontispiece of a Manuscript of the Mantiq al-Tayr (Language of the Birds)
Multiple artists/makers
text: dated 892 AH/1487 CE; illumination: ca. 1600