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More than 10,000 results for the-assumption-of-the-virgin

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The Assumption of the Virgin, Bernardo Daddi (possibly with workshop assistance) Italian, Tempera on wood, gold ground — The Assumption of the Virgin
Bernardo Daddi
ca. 1337–39

The Assumption of the Virgin, Bergognone (Ambrogio di Stefano da Fossano) Italian, Oil and gold on wood — The Assumption of the Virgin
Bergognone (Ambrogio di Stefano da Fossano)

The Assumption of the Virgin, Andrea della Robbia Italian, Glazed terracotta, Italian, Florence — The Assumption of the Virgin
Andrea della Robbia
late 15th–early 16th century

The Assumption of the Virgin, Alvise of Padua, Bronze, Italian, Padua — The Assumption of the Virgin
Alvise of Padua
after a composition datable 1526

The Assumption of the Virgin with Saints Michael and Benedict, Luca Signorelli and Workshop Italian, Oil and gold on wood — The Assumption of the Virgin with Saints Michael and Benedict
Luca Signorelli
ca. 1493–96

The Assumption of the Virgin, Francesco de Mura Italian, Pen and black ink, brush and gray wash, over black chalk — The Assumption of the Virgin
Francesco de Mura
1751

Assumption of the Virgin, Jacopo Sansovino (Jacopo Tatti) , Venice(?) Italian, Copper alloy with a warm light brown patina under a dark brown lacquer or wax. — Assumption of the Virgin
Jacopo Sansovino (Jacopo Tatti)
ca. 1560

The Assumption of the Virgin, Michel Corneille the Younger French, Pen and brown ink, brush and brown wash heightened with white over black chalk — The Assumption of the Virgin
Michel Corneille the Younger

The Assumption of the Virgin, Master IQV French, Etching — The Assumption of the Virgin
Master IQV
Giulio Romano
1540–50

The Assumption of the Virgin, François Ragot French, Engraving — The Assumption of the Virgin
François Ragot
Peter Paul Rubens
mid 17th–late 17th century

The Assumption of the Virgin, Carlo Maratti Italian, Etching; second state of three (Bartsch) — The Assumption of the Virgin
Carlo Maratti
17th century

The Assumption of the Virgin, Carlo Maratti Italian, Etching; first state of three (Bartsch) — The Assumption of the Virgin
Carlo Maratti
17th century

The Assumption of the Virgin, Merry Joseph Blondel French, Black chalk, heightened with white, on light brown paper — The Assumption of the Virgin
Merry Joseph Blondel
1822

The Assumption of the Virgin, Pierre Paul Prud'hon French, Black and white chalk — The Assumption of the Virgin
Pierre Paul Prud'hon
ca. 1816–19

The Assumption of the Virgin, Bernardino Poccetti Italian, Red chalk, over charcoal, squared for transfer — The Assumption of the Virgin
Bernardino Poccetti
1548–1612

The Assumption of the Virgin, Francesco Narice (Narici) Italian, Brush, gray and cream tempera, on gray washed paper — The Assumption of the Virgin
Francesco Narice (Narici)
1751–79

The Assumption of the Virgin, Michael Lucas Leopold Willmann German, Etching and drypoint, second state — The Assumption of the Virgin
Michael Lucas Leopold Willmann
1683

The Assumption of the Virgin, Jean-Baptiste Jouvenet French, Black chalk, brown wash, heightened with white on blue paper — The Assumption of the Virgin
Jean-Baptiste Jouvenet
n.d.

The Assumption of the Virgin, Johann Christophorus Storer German, Pen and black ink, gray wash, over black chalk or graphite; squared for transfer in graphite or black chalk — The Assumption of the Virgin
Johann Christophorus Storer
1641

The Assumption of the Virgin, Giovanni Domenico Tiepolo Italian, Pen and black ink, brush and gray wash, over red chalk — The Assumption of the Virgin
Giovanni Domenico Tiepolo
1727–1804

The Assumption of the Virgin, Geoffroy Dumoûtier French, Etching — The Assumption of the Virgin
Geoffroy Dumoûtier
ca. 1535–73

The Assumption of the Virgin, Nicolas de Plattemontagne French, Black chalk, heightened with white — The Assumption of the Virgin
Nicolas de Plattemontagne
Noël Coypel
n.d.

The Assumption of the Virgin, Cesare Nebbia Italian, Pen and brown ink, brush and brown wash; squared in red and black chalk — The Assumption of the Virgin
Cesare Nebbia
1536–1614

Manuscript Leaf with the Assumption of the Virgin in an Initial V, from an Antiphonary, Niccolò di ser Sozzo Italian, Tempera, ink, and gold on parchment, Italian — Manuscript Leaf with the Assumption of the Virgin in an Initial V, from an Antiphonary
Niccolò di ser Sozzo
ca. 1340

Manuscript Illumination with the Assumption of the Virgin in an Initial A, from an Antiphonary, Cosmè Tura (Cosimo di Domenico di Bonaventura) Italian, Tempera, ink, and gold on parchment, Italian — Manuscript Illumination with the Assumption of the Virgin in an Initial A, from an Antiphonary
Cosmè Tura (Cosimo di Domenico di Bonaventura)
1450–60

Manuscript Illumination with the Assumption of the Virgin in an Initial G, from a Gradual, Cosmè Tura (Cosimo di Domenico di Bonaventura) Italian, Tempera, ink, and gold on parchment, Italian — Manuscript Illumination with the Assumption of the Virgin in an Initial G, from a Gradual
Cosmè Tura (Cosimo di Domenico di Bonaventura)
1450–60

Studies for the Assumption of the Virgin, Juan Carreño de Miranda Spanish, Pen and brown ink, brush and brown wash, heightened with white gouache, over traces of black chalk on paper washed yellow brown — Studies for the Assumption of the Virgin
Juan Carreño de Miranda
1657–60

The Assumption of the Virgin (recto); Architectural Notations (verso), Lorenzo de' Ferrari Italian, Black chalk, a little pen and brown ink (recto); architectural notations in black chalk (verso) — The Assumption of the Virgin (recto); Architectural Notations (verso)
Lorenzo de' Ferrari
1680–1744

The Assumption of the Virgin

Georg Christoph Eimmart the Younger

Jacopo Tintoretto (Jacopo Robusti)

ca. 1660–1705

The Assumption of the Virgin

Anonymous, Italian, 16th to 17th century

Cesare Vecellio

ca 1530–80

The Assumption of the Virgin

Anonymous, Italian, 16th to 17th century

Cesare Vecellio

ca. 1530–80

The Assumption of the Virgin, below the apostles surround the tomb, Master of the Die Italian, Engraving — The Assumption of the Virgin, below the apostles surround the tomb
Master of the Die
Perino del Vaga (Pietro Buonaccorsi)
1530–60

The Assumption of the Virgin, plate 2 from "Bononiensium Pictorum Celebrioris...", Giuseppe Maria Mitelli Italian, Etching — The Assumption of the Virgin, plate 2 from "Bononiensium Pictorum Celebrioris..."
Multiple artists/makers
1678

The Assumption of the Virgin, plate 3 from "Bononiensium Pictorum Celebrioris...", Giuseppe Maria Mitelli Italian, Etching — The Assumption of the Virgin, plate 3 from "Bononiensium Pictorum Celebrioris..."
Multiple artists/makers
1678

Assumption of the Virgin, Verre églomisé, silver parcel gilt, Italian — Assumption of the Virgin
Italian
16th century

Design for a Freestanding Altar dedicated to the Assumption of the Virgin, Anonymous, Italian, 18th century Italian, Pen and brown ink, brush and gray wash, over traces of graphite or black chalk; two centering marks in graphite or black chalk (a ruled centered vertical line and a ruled centered horizontal line); a scale in pen and brown ink that is unnumbered at the bottom of composition — Design for a Freestanding Altar dedicated to the Assumption of the Virgin
Anonymous, Italian, 18th century
ca. 1670–1740

The Assumption of the Virgin with the Five Joyful Mysteries of the Rosary, Georg Pecham German, Pen and black ink and gray wash — The Assumption of the Virgin with the Five Joyful Mysteries of the Rosary
Georg Pecham
Caspar Fraisinger
late 16th–early 17th century

The Assumption of the Virgin, who rises from the tomb surrounded by Apostles, Giovanni Battista Cecchi Italian, Engraving — The Assumption of the Virgin, who rises from the tomb surrounded by Apostles
Multiple artists/makers
1778

The Assumption of the Virgin with the Virgin surrounded by cherubs and with the Apostles Below
, Cherubino Alberti (Zaccaria Mattia) Italian, Engraving — The Assumption of the Virgin with the Virgin surrounded by cherubs and with the Apostles Below
Cherubino Alberti (Zaccaria Mattia)
1574

Medallion with Saint Peter, Champlevé enamel, gilded copper, Italian — Medallion with Saint Peter
Italian
ca. 1320–40