Tickets
English
DonateMembership
Tickets

Search for Art

1-42 of 2,830 results for the-assumption-of-the-virgin
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Artist / culture
Object type / material
Match
 
Show results matching
selected filters.
Geographic location
Match
 
Show results matching
selected filters.
Department
The Assumption of the Virgin, Bernardo Daddi (possibly with workshop assistance) Italian, Tempera on wood, gold ground
The Assumption of the Virgin
Bernardo Daddi
1337–38
The Assumption of the Virgin, Bergognone (Ambrogio di Stefano da Fossano) Italian, Oil and gold on wood
The Assumption of the Virgin
Bergognone (Ambrogio di Stefano da Fossano)
ca. 1510
The Assumption of the Virgin, Alvise of Padua, Bronze, Italian, Padua
The Assumption of the Virgin
After a composition by Alvise of Padua
after a composition datable 1526
The Assumption of the Virgin, Andrea della Robbia Italian, Glazed terracotta, Italian, Florence
The Assumption of the Virgin
Workshop of Andrea della Robbia
late 15th–early 16th century
The Assumption of the Virgin with Saints Michael and Benedict, Luca Signorelli and Workshop Italian, Oil and gold on wood
The Assumption of the Virgin with Saints Michael and Benedict
Luca Signorelli
ca. 1493–96
Assumption of the Virgin, Jacopo Sansovino (Jacopo Tatti) , Venice(?) Italian, Copper alloy with a warm light brown patina under a dark brown lacquer or wax.
Assumption of the Virgin
Follower of Jacopo Sansovino (Jacopo Tatti)
ca. 1560
The Assumption of the Virgin, Francesco de Mura Italian, Pen and black ink, brush and gray wash, over black chalk
The Assumption of the Virgin
Francesco de Mura
1751
Manuscript Leaf with the Assumption of the Virgin in an Initial V, from an Antiphonary, Niccolò di ser Sozzo Italian, Tempera, ink, and gold on parchment, Italian
Manuscript Leaf with the Assumption of the Virgin in an Initial V, from an Antiphonary
Niccolò di ser Sozzo
ca. 1340
The Assumption of the Virgin, Michel Corneille the Younger French, Pen and brown ink, brush and brown wash heightened with white over black chalk
The Assumption of the Virgin
Michel Corneille the Younger
The Assumption of the Virgin, Master IQV French, Etching
The Assumption of the Virgin
Master IQV
After Giulio Romano
1540–50
The Assumption of the Virgin, François Ragot French, Engraving
The Assumption of the Virgin
François Ragot
After Peter Paul Rubens
mid 17th–late 17th century
The Assumption of the Virgin, Carlo Maratti Italian, Etching; first state of three (Bartsch)
The Assumption of the Virgin
Carlo Maratti
17th century
The Assumption of the Virgin, Carlo Maratti Italian, Etching; second state of three (Bartsch)
The Assumption of the Virgin
Carlo Maratti
17th century
The Assumption of the Virgin, Merry Joseph Blondel French, Black chalk, heightened with white, on light brown paper
The Assumption of the Virgin
Merry Joseph Blondel
1822
The Assumption of the Virgin, Pierre Paul Prud'hon French, Black and white chalk
The Assumption of the Virgin
Pierre Paul Prud'hon
ca. 1816–19
The Assumption of the Virgin, Francesco Narice (Narici) Italian, Brush, gray and cream tempera, on gray washed paper
The Assumption of the Virgin
Francesco Narice (Narici)
1751–79
The Assumption of the Virgin, Giovanni Domenico Tiepolo Italian, Pen and black ink, brush and gray wash, over red chalk
The Assumption of the Virgin
Giovanni Domenico Tiepolo
1727–1804
The Assumption of the Virgin, Bernardino Poccetti Italian, Red chalk, over charcoal, squared for transfer
The Assumption of the Virgin
Attributed to Bernardino Poccetti
1548–1612
The Assumption of the Virgin, Geoffroy Dumoûtier French, Etching
The Assumption of the Virgin
Geoffroy Dumoûtier
ca. 1535–73
The Assumption of the Virgin, Nicolas de Plattemontagne French, Black chalk, heightened with white
The Assumption of the Virgin
Nicolas de Plattemontagne
Former Attribution Formerly attributed to Noël Coypel
n.d.
Manuscript Illumination with the Assumption of the Virgin in an Initial A, from an Antiphonary, Cosmè Tura (Cosimo di Domenico di Bonaventura) Italian, Tempera, ink, and gold on parchment, Italian
Manuscript Illumination with the Assumption of the Virgin in an Initial A, from an Antiphonary
Attributed to Cosmè Tura (Cosimo di Domenico di Bonaventura)
1450–60
The Assumption of the Virgin, Michael Lucas Leopold Willmann German, Etching and drypoint, second state
The Assumption of the Virgin
Michael Lucas Leopold Willmann
1683
The Assumption of the Virgin, Johann Christophorus Storer German, Pen and black ink, gray wash, over black chalk or graphite; squared for transfer in graphite or black chalk
The Assumption of the Virgin
Johann Christophorus Storer
1641
The Assumption of the Virgin, Jean-Baptiste Jouvenet French, Black chalk, brown wash, heightened with white on blue paper
The Assumption of the Virgin
Jean-Baptiste Jouvenet
n.d.
The Assumption of the Virgin, Cesare Nebbia Italian, Pen and brown ink, brush and brown wash; squared in red and black chalk
The Assumption of the Virgin
Cesare Nebbia
1536–1614
Manuscript Illumination with the Assumption of the Virgin in an Initial G, from a Gradual, Cosmè Tura (Cosimo di Domenico di Bonaventura) Italian, Tempera, ink, and gold on parchment, Italian
Manuscript Illumination with the Assumption of the Virgin in an Initial G, from a Gradual
Attributed to Cosmè Tura (Cosimo di Domenico di Bonaventura)
1450–60
Studies for the Assumption of the Virgin, Juan Carreño de Miranda Spanish, Pen and brown ink, brush and brown wash, heightened with white gouache, over traces of black chalk on paper washed yellow brown
Studies for the Assumption of the Virgin
Juan Carreño de Miranda
1657–60
Bust of the Virgin, Terracotta with paint, Bohemian
Bust of the Virgin
Bohemian
ca. 1390–95
The Coronation of the Virgin, Niccolò di Buonaccorso Italian, Tempera on wood, gold ground
The Coronation of the Virgin
Niccolò di Buonaccorso
ca. 1380
Assumption of the Virgin, Verre églomisé, silver parcel gilt, Italian
Assumption of the Virgin
Italian
16th century
Shrine of the Virgin, Oak, linen covering, polychromy, gilding, gesso, German
Shrine of the Virgin
German
ca. 1300
Coronation of the Virgin, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera on wood, gold ground
Coronation of the Virgin
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455
The Coronation of the Virgin, Annibale Carracci Italian, Oil on canvas
The Coronation of the Virgin
Annibale Carracci
after 1595
The Assumption of the Virgin, below the apostles surround the tomb, Master of the Die Italian, Engraving
The Assumption of the Virgin, below the apostles surround the tomb
Master of the Die
After Perino del Vaga (Pietro Buonaccorsi)
1530–60
The Assumption of the Virgin (recto); Architectural Notations (verso), Lorenzo de' Ferrari Italian, Black chalk, a little pen and brown ink (recto); architectural notations in black chalk (verso)
The Assumption of the Virgin (recto); Architectural Notations (verso)
Lorenzo de' Ferrari
1680–1744
The Assumption of the Virgin
Georg Christoph Eimmart the Younger
After Jacopo Tintoretto (Jacopo Robusti)
ca. 1660–1705
The Virgin of Guadalupe with the Four Apparitions, Nicolás Enríquez Mexican, Oil on copper, Mexican
The Virgin of Guadalupe with the Four Apparitions
Nicolás Enríquez
1773
The Assumption of the Virgin
Anonymous, Italian, 16th to 17th century
Former Attribution Cesare Vecellio
ca. 1530–80
The Assumption of the Virgin
Anonymous, Italian, 16th to 17th century
Former Attribution Cesare Vecellio
ca 1530–80
The Assumption of the Virgin
Domenico Cunego
After Domenichino (Domenico Zampieri)
1779
Crown of the Virgin of the Immaculate Conception, known as the Crown of the Andes, Gold, repoussé and chased; emeralds, Colombian; Popayán
Crown of the Virgin of the Immaculate Conception, known as the Crown of the Andes
Colombian; Popayán
Ca. 1660 (diadem) and ca. 1770 (arches)
Nun’s Badge with the Virgin of the Immaculate Conception, Nicolás Rodríguez Juárez Mexican, Oil and gold on copper; tortoiseshell and silver frame, Mexican
Nun’s Badge with the Virgin of the Immaculate Conception
Nicolás Rodríguez Juárez
ca. 1710