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1-42 of 129 results for the-assumption-of-the-virgin
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The Assumption of the Virgin, Bergognone (Ambrogio di Stefano da Fossano)  Italian, Oil and gold on wood
Bergognone (Ambrogio di Stefano da Fossano)
ca. 1510
The Assumption of the Virgin, Bernardo Daddi (possibly with workshop assistance) Italian, Tempera on wood, gold ground
Bernardo Daddi
1337–38
The Assumption of the Virgin, François Ragot  French, Engraving
François Ragot
After Peter Paul Rubens
mid 17th–late 17th century
The Assumption of the Virgin, Carlo Maratti  Italian, Etching; second state of three (Bartsch)
Carlo Maratti
17th century
The Assumption of the Virgin, Merry Joseph Blondel  French, Black chalk, heightened with white, on light brown paper
Merry Joseph Blondel
1822
The Assumption of the Virgin, plate 3 from "Bononiensium Pictorum Celebrioris...", Giuseppe Maria Mitelli  Italian, Etching
Giuseppe Maria Mitelli
After Annibale Carracci
Publisher Gioseffo Longhi
1678
The Assumption of the Virgin (The Marquand Altarpiece), Andrea della Robbia , and Workshop Italian, Glazed terracotta, Italian, Florence
Andrea della Robbia
ca. 1485
The Assumption of the Virgin, Master IQV  French, Etching
Master IQV
After Giulio Romano
1540–50
The Assumption of the Virgin, Jean-Baptiste Jouvenet  French, Black chalk, brown wash, heightened with white on blue paper
Jean-Baptiste Jouvenet
n.d.
The Assumption of the Virgin, Alvise of Padua, Bronze, Italian, Padua
After a composition by Alvise of Padua
after a composition datable 1526
The Assumption of the Virgin, Carlo Maratti  Italian, Etching; first state of three (Bartsch)
Carlo Maratti
17th century
The Assumption of the Virgin, who rises from the tomb surrounded by Apostles, Giovanni Battista Cecchi  Italian, Engraving
Giovanni Battista Cecchi
Intermediary draftsman Ranieri Allegranti
After Anton Domenico Gabbiani
1778
The Assumption of the Virgin, Michael Lucas Leopold Willmann  German, Etching and drypoint, second state
Michael Lucas Leopold Willmann
1683
The Assumption of the Virgin, Cesare Nebbia  Italian, Pen and brown ink, brush and brown wash; squared in red and black chalk
Cesare Nebbia
1536–1614
The Assumption of the Virgin with Saints Michael and Benedict, Luca Signorelli and Workshop Italian, Oil and gold on wood
Luca Signorelli
ca. 1493–96
The Assumption of the Virgin, Michel Corneille the Younger  French, Pen and brown ink, brush and brown wash heightened with white over black chalk
Michel Corneille the Younger
The Assumption of the Virgin (recto); Architectural Notations (verso), Lorenzo de' Ferrari  Italian, Black chalk, a little pen and brown ink (recto); architectural notations in black chalk (verso)
Lorenzo de' Ferrari
1680–1744
The Assumption of the Virgin, Pierre Paul Prud'hon  French, Black and white chalk
Pierre Paul Prud'hon
ca. 1816–19
The Assumption of the Virgin, Giovanni Domenico Tiepolo  Italian, Pen and black ink, brush and gray wash, over red chalk
Giovanni Domenico Tiepolo
1727–1804
The Assumption of the Virgin, Francesco Narice (Narici)  Italian, Brush, gray and cream tempera, on gray washed paper
Francesco Narice (Narici)
1751–79
The Assumption of the Virgin, Bernardino Poccetti  Italian, Red chalk, over charcoal, squared for transfer
Attributed to Bernardino Poccetti
1548–1612
The Assumption of the Virgin, Geoffroy Dumoûtier  French, Etching
Geoffroy Dumoûtier
ca. 1535–73
The Assumption of the Virgin, Nicolas de Plattemontagne  French, Black chalk, heightened with white
Nicolas de Plattemontagne
Former Attribution Formerly attributed to Noël Coypel
n.d.
The Assumption of the Virgin, Johann Christophorus Storer  German, Pen and black ink, gray wash, over black chalk or graphite; squared for transfer in graphite or black chalk
Johann Christophorus Storer
1641
The Assumption of the Virgin, Francesco de Mura  Italian, Pen and black ink, brush and gray wash, over black chalk
Francesco de Mura
1751
Manuscript Leaf with the Assumption of the Virgin in an Initial V, from an  Antiphonary, Niccolò di ser Sozzo  Italian, Tempera, ink, and gold on parchment, Italian
Niccolò di ser Sozzo
ca. 1340
Studies for the Assumption of the Virgin, Juan Carreño de Miranda  Spanish, Pen and brown ink, brush and brown wash, heightened with white gouache, over traces of black chalk on paper washed yellow brown
Juan Carreño de Miranda
1657–60
Manuscript Illumination with the Assumption of the Virgin in an Initial A, from an Antiphonary, Cosmè Tura (Cosimo di Domenico di Bonaventura)  Italian, Tempera, ink, and gold on parchment, Italian
Attributed to Cosmè Tura (Cosimo di Domenico di Bonaventura)
1450–60
Manuscript Illumination with the Assumption of the Virgin in an Initial G, from a Gradual, Cosmè Tura (Cosimo di Domenico di Bonaventura)  Italian, Tempera, ink, and gold on parchment, Italian
Attributed to Cosmè Tura (Cosimo di Domenico di Bonaventura)
1450–60
Assumption of the Virgin, Verre églomisé, silver parcel gilt, Italian
Italian
16th century
The assumption of the Virgin, who rises with arms outstretched, angels supporting her from below, after Reni, Carl Ernst Christoph Hess  German, Engraving
Multiple artists/makers
1792
The Assumption of the Virgin, below the apostles surround the tomb, Master of the Die  Italian, Engraving
Master of the Die
After Perino del Vaga (Pietro Buonaccorsi)
1530–60
Georg Christoph Eimmart the Younger
After Jacopo Tintoretto (Jacopo Robusti)
ca. 1660–1705
Anonymous, Italian, 16th to 17th century
Former Attribution Cesare Vecellio
ca 1530–80
Anonymous, Italian, 16th to 17th century
Former Attribution Cesare Vecellio
ca. 1530–80
Domenico Cunego
After Domenichino (Domenico Zampieri)
1779
The Assumption of the Virgin with the Five Joyful Mysteries of the Rosary, Georg Pecham  German, Pen and black ink and gray wash
Georg Pecham
Former Attribution Formerly attributed to Caspar Fraisinger
late 16th–early 17th century
Design for a Freestanding Altar dedicated to the Assumption of the Virgin, Anonymous, Italian, 18th century  Italian, Pen and brown ink, brush and gray wash, over traces of graphite or black chalk; two centering marks in graphite or black chalk (a ruled centered vertical line and a ruled centered horizontal line); a scale in pen and brown ink that is unnumbered at the bottom of composition
Anonymous, Italian, 18th century
ca. 1670–1740
The Assumption of the Virgin, plate 2 from "Bononiensium Pictorum Celebrioris...", Giuseppe Maria Mitelli  Italian, Etching
Giuseppe Maria Mitelli
After Agostino Carracci
Publisher Gioseffo Longhi
1678
The Assumption of the Virgin with the Virgin surrounded by cherubs and with the Apostles Below
, Cherubino Alberti (Zaccaria Mattia)  Italian, Engraving
Cherubino Alberti (Zaccaria Mattia)
1574
Assumption of the Virgin, Paulus Pontius  Flemish, Engraving
Engraver Paulus Pontius
After Peter Paul Rubens
1624
Assumption of the Virgin, Aliprando Caprioli  Italian, Engraving
Aliprando Caprioli
After Taddeo Zuccaro
1574–99

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