Dress

Design House House of Chanel French
Designer Karl Lagerfeld French, born Germany
Secondary Line Chanel Boutique French
fall/winter 1987–88
Not on view
Created by Coco Chanel in 1926, the little black dress was translated to ready-to-wear as a staple of late afternoon and cocktail hours; American women at every level of consumption knew the importance of a practical, "well-mannered black." Black had been used for formal and semi-formal occasions in preceding decades. But when Chanel administered her sporty menswear-inspired silhouette, her little dress was immediately dubbed the "Ford of Fashion" by American Vogue for its transformative qualities. The little black dress became a minimalist canvas for day, cocktail, and evening accessories, including hats, gloves, pocketbooks, and above all else, costume jewelry. As the silhouette of the little black dress evolved to accommodate the fashionable shape of each consecutive decade, it became more of a social institution than a design.

Though the original was constructed in a reserved black crepe de chine, Karl Lagerfeld, who became head designer for the House of Chanel in 1983, executed this little black dress from autumn/winter 1987–88 in a fetishistic black vinyl and black polyester jersey combination. Lagerfeld infuses a controversial, modern persona into the 1920s silhouette (with dropped waistline, flounced knee-length skirt, and modest cocktail neckline) that first brought Coco fame. The design embodies the irony of the late twentieth-century "cocktail" outfit. In the postmodern aesthetic, the cocktail outfit seems to dress only the runway, professing nostalgia for submissive femininity or parading a tongue-in-cheek social commentary.

Artwork Details

Object Information
  • Title: Dress
  • Design House: House of Chanel (French, founded 1910)
  • Designer: Karl Lagerfeld (French (born Germany), Hamburg 1933–2019 Paris)
  • Secondary Line: Chanel Boutique (French)
  • Date: fall/winter 1987–88
  • Culture: French
  • Medium: synthetic fiber, plastic (vinyl)
  • Credit Line: Gift of Thomas Shoemaker, in memory of Michael L. Cipriano, 1994
  • Object Number: 1994.161.1
  • Curatorial Department: The Costume Institute

More Artwork

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.