基督在两个盗贼中间被钉十字架： 三个十字架

Rembrandt (Rembrandt van Rijn) Dutch

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《三个十字架》是伦勃朗所有创作媒介中最精美的作品之一，它代表了伦勃朗在版画制作方面的最高技艺。他完全用直刻法在铜板上作画，因此可利用由工具（直刻针）在金属板表面划画而形成的毛刺，这些毛刺可通过印刷在作品上形成一种柔和的润泽感。伦勃朗独具创意地给他的底板上墨并印刷在不同的材料上，因此他的每件印刷品都是独一无二的。此处，他刻意将右边十字架脚下的人物上墨较轻，形成半透明的效果；而将画面右下边缘处的灌木丛施以浓墨，使它们看起来较为昏暗模糊。由于此画印在牛皮纸（动物皮纸）上，所以为整个构图注入了暖色调。牛皮纸的吸收性不如纸张，它会把墨留在表面，因此线条更柔和，同时也增加了画面的饱满度。

Christ Crucified between the Two Thieves: The Three Crosses, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), Drypoint printed on vellum

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Christ Crucified between the Two Thieves: The Three Crosses, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), Drypoint printed on vellum
Christ Crucified between the Two Thieves: The Three Crosses, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), Drypoint printed on vellum
Christ Crucified between the Two Thieves: The Three Crosses, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), Drypoint printed on vellum

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