宝座上的毗湿奴

second half of the 8th–early 9th century
On view at The Met Fifth Avenue in Gallery 239
这尊巨型雕像在大都会博物馆的南亚馆藏中是最大的一件,也是展现潘地亚王朝艺术成就的罕见作品。潘地亚王朝和帕拉瓦王朝在印度南部掀起了第一波建筑寺庙的浪潮。此处毗湿奴坐在雄师宝座上,以放松的君王式单腿悬垂姿势而坐。他在印度教中的角色是重建人类世界的秩序,并与那些威胁宇宙稳定的邪魔做斗争。原本他的左上手持有法螺(用作战场号角),右上手持轮宝,右下手举起,结施无畏印。

Artwork Details

Object Information
  • 标题: 宝座上的毗湿奴
  • 年代: 潘地亚王朝
  • 创作日期: 八世纪下半叶 至九世纪早期
  • 地域: 印度,泰米尔纳德邦
  • 材料: 花岗岩
  • 尺寸: 高9英尺9英寸(2.97米)
  • 来源信息: 购买,查尔斯·安格哈特基金会捐赠,以纪念查尔斯·安格哈特,1984年
  • 藏品编号: 1984.296
  • Curatorial Department: Asian Art

Audio

仅适用于: English
Cover Image for 7950. Seated Four-Armed Vishnu, Part 1

7950. Seated Four-Armed Vishnu, Part 1

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This colossal seated figure of the god Vishnu towers more than nine feet tall. It is surely one of the largest Indian sculptures outside of India. Vishnu wears a cylindrical crown, or miter. Royal lions support the base of his throne. His left foot rests on a double lotus blossom. His missing arms and hands would have held the traditional martial attributes of Vishnu: a mace, conch shell, and war discus, or chakra.

The sculptures in earlier galleries all came from north India. This image is from the southern tip of India: an area never influenced by Gupta-period traditions. The relaxed pose and broad, plain surfaces are typical of the monumental Hindu sculptures carved from the sixth to the tenth centuries, under the Pandya dynasty. Many Pandya figures were carved directly into cliffs and other natural rock formations. Nearby you’ll see another Pandya-dynasty sculpture from the same period. Most Hindu gods rode upon animal vehicles. This seated figure had the wings of a bird—the tips have been broken off. This is Garuda: a mythological creature, half-man, half-bird, who transported Vishnu through the air.

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