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耶稣遭背叛与逮捕浮雕

1264–88
On view at The Met Fifth Avenue in Gallery 304
在中世纪的教堂里,诗班席隔屏将教堂正殿与唱诗班分隔开来。到十三世纪,这种隔屏上常装饰着华丽的叙事图案,尤其是耶稣受难的故事,即他在世上经历的最后一些事件。这件浮雕以极戏剧化的方式压缩呈现了四个重要事件:彼得拔刀削掉大祭司的仆人马勒古的耳朵;耶稣奇迹般地复原了他的耳朵;犹大用亲亲吻的暗号背叛耶稣;罗马士兵逮捕耶稣。由于这些隔屏阻碍了做礼拜的人参与教堂仪式,所以大多数欧洲教堂最终都把诗班席隔屏拆除了,亚眠大教堂的隔屏也于1755年被摧毁。这块浮雕是存留下来的最大、保存最完好的叙事雕塑之一。

Artwork Details

Object Information
  • 标题: 耶稣遭背叛与逮捕浮雕
  • 创作日期: 约1264–88年
  • 地域: 皮卡第,来自亚眠大教堂
  • 文化: 法国
  • 材料: 石灰石及颜料痕迹
  • 尺寸: 391⁄4 x 43 x 9 英寸(99.7 x 109.2 x 22.9厘米)
  • 来源信息: 艾萨克·D·弗莱彻夫妇收藏,艾萨克·D·弗莱彻遗赠,1917年
  • 藏品编号: 17.120.5
  • Curatorial Department: Medieval Art and The Cloisters

Audio

仅适用于: English
Cover Image for 3090. Limestone Relief of the Betrayal and Arrest of Jesus

3090. Limestone Relief of the Betrayal and Arrest of Jesus

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This dramatic relief is part of a great choir screen from the French Cathedral of Amiens. A choir screen is the structure that separates lay people in the nave from the clergy in the choir. In great Gothic cathedrals, choir screens were often decorated with elaborate sculptural reliefs.

This one represents the tumultuous moment before Christ’s death. In the center, we see Judas, his back turned from us as he leans in to kiss Christ in his infamous act of betrayal. On the far right, Roman soldiers prepare to arrest Christ. If you bend over and peek beneath the hem of the soldier on the far right, you can see passages of the bright colors that once covered the entire relief. On the far left is St. Peter, with his arm raised, withdrawing a sword that he just used to sever the ear of Malchus, the figure seated beneath him. Walk around to the left of the sculpture and find Christ’s hand as he reattaches Malchus’ ear. Amid the aggression and brutality of this charged scene, a powerful act of healing and compassion takes place.

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