吴彬（中国，1619–1689年）十六罗汉图卷

Wu Bin Chinese

Not on view

在中国人的民间想象中，托钵僧、术士和神秘的隐士常被认为是“活罗汉”（即佛教中能显神通的圣人）的化身。当政府的腐败无能（例如明末时）已经危及到社会秩序时，这种对救世主的迷信就愈加普遍。此图是吴彬现存最早的作品之一。吴彬所画人物沿袭古风，并按照前人传统将罗汉描绘为奇特怪异，不同流俗的人物，怪诞夸张的容貌衬托出他们内在的灵性本质。吴彬这幅看似诙谐的画作似要表达一个严肃的主题：罗汉们表面看来不完美的外表之下，可能藏有圣洁的本心。

The Sixteen Luohans, Wu Bin (active ca. 1583–1626), Handscroll; ink and color on paper, China

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.

The Sixteen Luohans, Wu Bin (active ca. 1583–1626), Handscroll; ink and color on paper, China
The Sixteen Luohans, Wu Bin (active ca. 1583–1626), Handscroll; ink and color on paper, China
The Sixteen Luohans, Wu Bin (active ca. 1583–1626), Handscroll; ink and color on paper, China
The Sixteen Luohans, Wu Bin (active ca. 1583–1626), Handscroll; ink and color on paper, China
The Sixteen Luohans, Wu Bin (active ca. 1583–1626), Handscroll; ink and color on paper, China
The Sixteen Luohans, Wu Bin (active ca. 1583–1626), Handscroll; ink and color on paper, China
The Sixteen Luohans, Wu Bin (active ca. 1583–1626), Handscroll; ink and color on paper, China
The Sixteen Luohans, Wu Bin (active ca. 1583–1626), Handscroll; ink and color on paper, China
The Sixteen Luohans, Wu Bin (active ca. 1583–1626), Handscroll; ink and color on paper, China

This artwork is meant to be viewed from right to left. Scroll left to view more.