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Assassinat des généraux Clément Tomas et Jules Lecomte, rue des Rosiers 6 à Montmartre deans la journée du 18 mars 1871

1870–71
Not on view
Following France’s defeat in the Franco-Prussian War and the fall of Napoleon III, thousands of Parisians revolted against the new royalist-leaning government and declared Paris an independent commune. Weeks of fighting ensued, during which Versailles troops attacked the city while the Communards threw up barricades, shot hostages, and burned government buildings. Soon afterward, Appert, a Parisian portrait photographer, issued “Crimes of the Commune,” a tendentious series of nine photographs of the insurrection that emphasized the criminal brutality of the rebels. Although based on real events, the photographs were utterly fabricated. Appert hired actors to restage each scene in his studio then cut and pasted the figures onto the appropriate backgrounds; atop the actors’ bodies he pasted headshots of the Commune’s key participants. The photographs were later banned by the French government for “disturbing the public peace” by sustaining anti-Communard sentiments—a testament to their effectiveness as political propaganda.

Artwork Details

Object Information
  • Title: Assassinat des généraux Clément Tomas et Jules Lecomte, rue des Rosiers 6 à Montmartre deans la journée du 18 mars 1871
  • Artist: Ernest Eugène Appert (French, 1831–1891)
  • Date: 1870–71
  • Medium: Albumen silver print from glass negative
  • Dimensions: Sheet: 36 x 46 cm (14 3/16 x 18 1/8 in.)
  • Classification: Photographs
  • Credit Line: Joyce F. Menschel Photography Library Fund, 2012
  • Object Number: 2012.352 (3)
  • Curatorial Department: Photographs
More Artwork
[Recreations of the Fall of the Paris Commune, titled "Crimes de la Commune"], Ernest Eugène Appert  French, Albumen silver prints from glass negatives
Ernest Eugène Appert
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late 18th or early 19th century
[The Great Wave, Sète], Gustave Le Gray  French, Albumen silver print from glass negative
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[Member of the Paris Commune: Louise Bonenfant, cantinière et pointeuse dans l’artillerie des fédérés, à perpétuité], Ernest Eugène Appert  French, Albumen silver print
Ernest Eugène Appert
1871
Moulin Rouge: La Goulue, Henri de Toulouse-Lautrec  French, Lithograph printed in four colors; three sheets of wove paper
Henri de Toulouse-Lautrec
Printer Affiches Américaines, Charles Lévy
1891

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