Marble stele (grave marker) of a youth and a little girl

Period:
Archaic
Date:
ca. 530 B.C.
Culture:
Greek, Attic
Medium:
Marble
Dimensions:
total H. 166 11/16 in. (423.4cm)
Classification:
Stone Sculpture
Credit Line:
Frederick C. Hewitt Fund, 1911; Rogers Fund, 1921; and Anonymous Gift, 1951
Accession Number:
11.185a–c, f, g
  • Description

    Inscribed on the base: to dear Me[gakles], on his death, his father with his dear mother set [me] up as a monument

    This is the most complete grave monument of its type to have survived from the Archaic period. Fragments were acquired by The Metropolitan Museum of Art in 1911, 1921, 1936, 1938, and 1951. The fragment with the girl's head, here in a plaster copy, was acquired in 1903 by the Berlin Museum; the fragment with the youth's right forearm, also a plaster cast here, is in the National Museum in Athens. The capital and crowning sphinx are casts of the originals, displayed in a case nearby.

    The youth on the shaft is shown as an athlete, with an aryballos (oil flask) suspended from his wrist. Athletics were an important part of every boy's education, and oil was used as a cleanser after exercise. He holds a pomegranate—a fruit associated with both fecundity and death in Greek myths—perhaps indicating that he had reached puberty before his death. The little girl, presumably a younger sister, holds a flower.

    This exceptionally lavish monument, which stands over thirteen feet high, must have been erected by one of the wealthiest aristocratic families. Some scholars have restored the name of the youth in the inscription as Megakles, a name associated with the powerful clan of the Alkmeonidai, who opposed the tyrant Peisistratos during most of the second half of the sixth century B.C. The tombs of aristocratic families were sometimes desecrated and destroyed as a result of that conflict, and this stele may well have been among them.

  • Signatures, Inscriptions, and Markings

    Inscription: Inscribed on the base: "To dear Me[gakles], on his death, his father with his dear mother set (me) up as a monument."

  • Provenance

    Said to be from Attica

    Fragments acquired in 1911 (shaft, base, akroterion) and 1921 (part of youth's shoulder and arm), purchased from M.L. Kambanis, Greece; 1936 and 1938, additional fragments (sphinx) purchased; 1951, fragment of the inscription acquired, gift of W.C. Baker; fragment of inscription purchased by Baker from T. Zoumboulakis, Greece.

  • References

    Robinson, Edward. 1913. "An Archaic Greek Grave Monument." Bulletin of the Metropolitan Museum of Art 8(5): pp. 94-99.

    Langlotz, E. 1920. Zur Zeitbestimmung der strengrotfiguren Vasemalerei und der gleichzeitigen Plastik. Leipzig: E. A. Seemann, p. 17.

    1922. "A New Fragment of the Archaic Stele." Bulletin of the Metropolitan Museum of Art 17(3): p. 68.

    Chase, G. H. 1924. Greek and Roman Sculpture in American Collections. Cambridge, Mass.: Harvard University Press, pp. 25-28, figs. 27, 28.

    Richter, Gisela M.A. 1927. Handbook of the Classical Collection. New ed. New York: The Metropolitan Museum of Art, pp. 232-35, ill. p. 283 and figs. 158, 159.

    Lawrence, A. W. 1929. Classical Sculpture. London: J. Cape, pp. 131-32, pl. 12b.

    Richter, Gisela M.A. 1940. "An Archaic Greek Sphinx." Bulletin of the Metropolitan Museum of Art 35 (9): pp. 178-80, figs. 1-4.

    Hall, L. F. 1944. "Notes on the Colors Preserved on the Archaic Attic Gravestones in the Metropolitan Museum." American Journal of Archaeology 48 (October-December): 334-35, pl. VII.

    Hill, D. K. 1944. "Hera, the Sphinx?" Hesperia 13 (October-December): 357-58, pl. XIII, fig. 5.

    Richter, Gisela M. A. 1944. "Polychromy in Greek Sculpture." The Metropolitan Museum of Art Bulletin 48 (October-December): 324, pl. VII.

    Richter, Gisela M. A. 1944. "Polychromy in Greek Sculpture." American Journal of Archaeology 2(8): 233-40, pls. 1-4.

    Richter, Gisela M.A. 1944. Archaic Attic Gravestones. Cambridge, Mass.: Harvard University Press, pp. 64-74, figs. 73-79.

    Richter, Gisela M.A. 1953. Handbook of the Greek Collection. Cambridge, Mass.: Harvard University Press, p. 134, no. 1, pl. 113.

    Dohrn, T. 1957. Attische Plastik vom Tode des Phidias bis zum Wirken der grossen Meister des IV. Jahrhunderts v. Chr. Krefeld: Scherpe-Verlag, pp. 94, 234, no. 46.

    Richter, Gisela M.A. 1961. The Archaic Gravestones of Attica. London: Phaidon, p. 27, no. 37, figs. 96-109, 190, 204.

    Pfohl, G. 1964. Monument und Epigramm: Studien zu den metrischen Inschriften der Griechen. Nürnberg, p. 60, fig. 4.

    Hoving, Thomas P.F. 1970. "Director's Choice." The Metropolitan Museum of Art Bulletin 28(5): p. 203.

    Richter, Gisela M.A. 1970. "The Department of Greek and Roman Art: Triumphs and Tribulations." Metropolitan Museum Journal 3: pp. 75-77, 82-83, 89-90, figs. 4, 18, 34.

    Robertson, M. 1975. A History of Greek Art. Cambridge: Cambridge University Press, pp. 108ff., pl. 29a.

    Karouzou, S. 1976. "On the Brother and Sister Stele in the Museums of New York, Athens, and Berlin." [In Greek.] Archaiologikon Deltion 31: 9-22, 353-58, pls. 1, 2.

    The Metropolitan Museum of Art. 1987. Greece and Rome. New York: The Metropolitan Museum of Art, no. 16, pp. 30-31.

    Ridgway, B. S. 1990. "Metal Attachments in Greek Marble Sculpture." In Marble: Art Historical and Scientific Perspectives on Ancient Sculpture. Malibu: J. Paul Getty Museum, p. 201.

    Brinkmann, V. 1998. Frisuren in Stein: Arbeitsweisen frühgriechischer Bildhauer. Munich: Biering and Brinkmann, pp. 28, 44, n. 119.

    Manchester, Karen. 1999. “The new Greek and Roman Galleries at the Metropolitan Museum of Art.” Apollo 150: p. 10, fig. 15.

    Oakley, J. H. 2003. "Death and the Child." In J. Neils and J. H. Oakley et al., Coming of Age in Ancient Greece: Images of Childhood from the Classical Past. New Haven: Yale University Press, p. 180, fig. 19.

    Picón, Carlos A., et al. 2007. Art of the Classical World in The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, no. 71, pp. 74-75, 420.

    Mertens, Joan R. 2010. How to Read Greek Vases. New York: The Metropolitan Museum of Art, pp. 46, 59, 62, fig. 26.

  • See also
    What
    Where
    When
    In the Museum
    Heilbrunn Timeline of Art History
    MetPublications
130008976

Close