Art/ Collection/ Art Object

Funerary relief

Date:
ca. 150–200
Geography:
Syria, probably from Palmyra
Medium:
Limestone
Dimensions:
17.68 x 16.46 in. (44.91 x 41.81 cm)
Classification:
Stone-Sculpture-Inscribed
Credit Line:
Purchase, 1902
Accession Number:
02.29.5
On view at The Met Fifth Avenue in Gallery 406
Inscription:
1 ‘Alayyat,
2 daughter of
3 Zabdibol.

Transliteration:
1 ʿlyt
2 brt
3 zbdbwl

This relief is a type of funerary monument characteristic of the prosperous caravan city of Palmyra during the first three centuries A.D. Reliefs with a representation of the deceased and a short identifying inscription were used to seal burial niches in elaborately decorated communal tombs; those with a half-length or bust format became prevalent sometime after A.D. 65.

The relief depicts the upper body of a woman dressed in a draped garment, pinned at the left shoulder with an elaborate brooch, who faces directly towards the viewer. Her hair is gathered up at the temples and covered by a turban-like headdress, worn over a richly patterned diadem that covers her forehead. Pendant earrings in the shape of dumbbells, perhaps representing two pearls or beads connected by a vertical rod, hang from her earlobes; the lower ball of each earring is still connected to the stone at either side, to protect this delicately carved detail from breakage. She wears a long veil over her head, and holds its edge at shoulder level with her right hand, while the voluminous fabric wraps around the left arm, leaving only the hand exposed. The left hand holds a looped fold of the veil. Over her left shoulder, an inscription in Palmyrene Aramaic records her name and her father’s name, against a blank background. Her expression is serene, and her gaze does not meet the viewer’s but looks far into the distance. The iris and pupil of the eye are marked by incised concentric circles, and the eyebrows are indicated by simple incised lines. Her small, thin-lipped mouth is pursed in a faint smile. Chips and cracks in the surface are due to the use of soft local limestone. The relief can be stylistically dated to around 150-200 A.D. because of the hairstyle, and the arrangement of her hands and veil.
Acquired by the Museum in 1902, purchased from Azeez Khayat, New York.

“The Metropolitan Museum of Art: Selections from the Collection of the Ancient Near East Department,” MOA Museum of Art, Atami, Japan, The Aiche Prefectural Art Gallery, Nagoya, Japan, The Seibu Museum of Art, Tokyo, Japan, 1983.

The Metropolitan Museum of Art. 1904. "The Stone Sculptures of the Cesnola Collection of Cypriote Antiquities in Halls 14, 18 and 19." In Handbook No. 3. New York: The Metropolitan Museum of Art, no. 2050, p. 135.

Chabot, Jean-Baptiste. 1905. Répertoire d'Épigraphie Sémitique. Paris: Imprimerie Nationale, no. 756.

Arnold, William R. 1905. "Additional Palmyrene Inscriptions in the Metropolitan Museum of Art, New York." Journal of the American Oriental Society 26, no. III, p. 107, pl. III.

Chabot, Jean-Baptiste. 1922. Choix d'Inscriptions de Palmyre. Paris: Imprimerie Nationale, p. 113, pl. 27.7.

Chabot, Jean-Baptiste, ed. 1926. Corpus Inscriptionum Semiticarum III. Inscriptions Hébraïques. Paris: Academie des Inscriptions et Belles-Lettres, p. 348, no. 4260, pl. 39.

Ingholt, Harald. 1928. Studier over Palmyrensk Skulptur. Copenhagen: C.A. Reitzel, p. 139.

Colledge, Malcolm. 1976. The Art of Palmyra. Boulder, CO: Westview Press, p. 259.

Imai, Ayako. 1983. “Palmyrene Reliefs.” In The Metropolitan Museum of Art: Selections from the Collection of the Ancient Near East Department, exh. cat. Tokyo: Chunichi Shimbun, no. 27.

Hillers, Delbert R. and Eleonora Cussini. 1996. Palmyrene Aramaic Texts. Baltimore and London: The Johns Hopkins University Press, p. 114, no. C4260.

Heyn, Maura K. 2010. "Gesture and Identity in the Funerary Art of Palmyra." American Journal of Archaeology 114, pp. 631-661, fig. 5.
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