Bequest of Miss Adelaide Milton de Groot (1876-1967), 1967
Not on view
This vivid pastel is a study for a painting in the Museum’s collection, Basket of Flowers, one of five "flower portraits" intended for the Salon of 1849. In February of that year, Delacroix wrote of the series, "I have tried to fashion pieces of nature, such as they present themselves to us in gardens, simply by bringing together, within the same frame and in a highly unlikely manner, the greatest possible variety of flowers." Here, Delacroix observes one variety: a thick, furled arch of white morning glories, which would provide the framework for an upended basket of flowers in the painted version. To effect the organic sprawl of the arch, Delacroix intertwined forest, moss, and chartreuse green pastels, setting them against a pale blue sky. Delacroix approached this subject with the same sense of drama that he did his narrative subjects. As art critic Theophile Silvestre wrote in his obituary for Delacroix, "He was a master painter, with sunshine in his mind and storm in his heart. Over the course of forty years, he touched the entire range of human passions with his magnificent brush, sometimes fearsome and sometimes tender, going from saints to warriors, from warriors to lovers, from lovers to tigers, and from tigers to flowers."
Casavy (French, active ca. 1864); Charles Paravey; Mme Chocquet (French); Wildenstein & Co., Inc. (New York); Adelaide Milton de Groot (American, New York 1876–1967 New York); Donor: Adelaide Milton de Groot (American, New York 1876–1967 New York)
Wildenstein & Co. "Eugène Delacroix, 1798-1863," June 1952–July 1952.
The Metropolitan Museum of Art. "Classicism and Romanticism. French Drawings and Prints," September 15, 1970–November 1, 1970.
The Metropolitan Museum of Art. "Eugène Delacroix (1798-1863): Paintings, Drawings, and Prints from North American Collections," April 10, 1991–June 16, 1991.
Galeries nationales du Grand Palais, Paris. "Delacroix, Les Derniéres Années," April 7, 1998–July 20, 1998.
Philadelphia Museum of Art. "Delacroix, The Late Work," September 15, 1998–January 3, 1999.
The Metropolitan Museum of Art. "Drawings and Prints: Selections from the Permanent Collection," January 24, 2005–April 24, 2005.
Christophe Leribault, Musée National Eugène Delacroix. "Delacroix, Othoniel, Creten: des fleurs en hiver," December 12, 2012–March 18, 2013.
The Metropolitan Museum of Art. "Drawings and Prints: Selections from the Permanent Collection," February 11, 2014–April 28, 2014.
Robaut 1073; MMA 1991.17; Johnson 1995.10
Alfred-Ernest Robaut L'Oeuvre complet d'Eugène Delacroix: Peintures, Dessins, Gravures, Lithographies. Paris, 1885, cat. no. 1073, p. 284.
Galerie Georges Petit, Paris Catalogue des Tableaux Modernes de Mme. Vve. Chocquet. sale cat., Galerie Georges Petit. Paris, July 1899, cat. no. 177, p. 97.
Wildenstein & Co., Ltd., London Delacroix. London, June 1952, cat. no. 67.
Linda Boyer Gillies, Colta Ives, Jacob Bean Classicism and Romanticism: French Drawings and Prints, 1800-1860. Ex. cat. The Metropolitan Museum of Art, New York, 1970, cat. no. 32.
Lee Johnson The Paintings of Eugène Delacroix. vol. 3, Oxford, 1986, Also mentioned under no. 502, fig. no. fig. 57, pp. 263-264, ill.
Lee Johnson Delacroix Pastels. London, 1995, cat. no. 10, pp. 60-61, ill.
Peter Rautmann Delacroix. Paris, 1997.
Arlette Sérullaz Delacroix: The Late Work. Exh. cat., Galeries nationales du Grand Palais, Paris, Apr. 7-July 20, 1998 and Philadelphia Museum of Art, Sept. 15, 1998-Jan. 3, 1999. Paris, Philadelphia, 1998, cat. no. 28, p. 126.
Christophe Leribault, Stéphane Guégan, Michèle Hannoosh Delacroix, Othoniel, Creten: Des fleurs en hiver. Exh. cat., Musée national Eugène Delacroix, Paris, France, 12 Dec. 2012-18 March 2013. Paris, 2012, fig. no. 85, pp. 16, 66, 138-139, 151, ill.