"She thank'd me": plate 2 from Othello (Act 1, Scene 3)

Théodore Chassériau French
Subject William Shakespeare British

Not on view

In 1844 Eugène Piot commissioned the young Chassériau to prepare fifteen illustrations to Shakespeare's Othello. Inspired by a series of ground-breaking Hamlet lithographs that Delacroix had created one year earlier, the younger artist opted for the more linear technique of etching. His expressive conception of form had been learned in Ingres's studio then developed under Delacroix. In the series, key exchanges offer a compressed summary of much of the play, with a final cluster devoted to the tragic conclusion. Here we see Desdemona entranced by Othello's account of past adventures, a subject that is not staged, but described as Othello explains to the Duke of Venice how he won his wife's hand in marriage.

"She thank'd me": plate 2 from Othello (Act 1, Scene 3), Théodore Chassériau (French, Le Limon, Saint-Domingue, West Indies 1819–1856 Paris), Etching, engraving, roulette, and drypoint on chine collé

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