Speculum Romanae Magnificentiae: View of Modern Rome

Jacob(us) Bos (Netherlandish, Hertogenbosch ca. 1520, active Rome ca. 1549–80)

Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512–1577 Rome)
sheet: 20 7/8 x 33 11/16 in. (53 x 85.5 cm)
Credit Line:
Harris Brisbane Dick Fund, 1941
Accession Number:
  • Description

    This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus.

    The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place).

    Originally volume 1, plate 4 in the scrapbook.

  • Signatures, Inscriptions, and Markings

    Inscription: At top center: VRBIS ROMAE / DESCRIPTIO
    At lower left: Illustrissimo atq integerrimo Mecenati suo / Georgio Card :Armeniaco / Ne prorfus otiofus Romae viverem (Mecaenasopt) operepretium / me facturum putavi, si veram Vrbis imaginem voluptati ci: / moditatiq publicae exprimendam curarem. Id simne con: / secùtus hoc meo labore, tuae erit prudentiae iudicare Seorsum Cata: / logum rerum celebrium per notas designanimus, ut facile quistq / poßit per elementa alphabetica et numeros omnia dinoscere Id to: / tum ausi sumus tuae Illustriss amplitudini dedicare supplicitero / orare ut boni aequitq consulas Romae Idib novemb MDLV / Tibi, tuisq Deditiß et obstrictiss Clieus / Gufo Pinardus Cabilonen
    In Margin: Legend
    At lower right: Quamplurima hic notatu digniss brevitati studentes tacenda putativimus / EX TYPIS / ET DILIGENTIA / ANT LAFRERI / Iac. Boßius Belga in es incidebat.

    Marking: On verso at left center: The Metropolitan Museum of Art stamp

  • Provenance

    H. P. Kraus

  • Catalogue Raisonné

    Quaritch Catalogue 4; Huelsen 2a

  • References

    Peter Parshall Antonio' Lafreri's 'Speculum Romanae Magnificentiae'. 1, London.

  • See also
    In the Museum
    Heilbrunn Timeline of Art History