Silver; chased, with filigree and decorative wire, slightly domed turquoises, and wax turquoise replacement
4 9/16 x 4 13/16 in. (11.6 x 12.2 cm)
Gift of Marshall and Marilyn R. Wolf, 2005
Not on view
The silver jeweled ornaments of the Turkoman tribes of Central Asia are characterized by their bold forms, striking profiles, and prominent semiprecious stones, most often carnelians or turquoise. By the nineteenth century, the once seminomadic Turkoman people had settled in various parts of Iran, Afghanistan, and Chinese and former Soviet Central Asia, but metalworkers' guilds continued to hold an honored position in each center. Turkoman silversmiths produced a variety of objects in a style and with motifs that reflected both Islamic and shamanist cultural influences: jewelry for women and children; ornaments and fittings for knives, helmets, and belts; and harnesses and other embellishments for horses and other animals. This pendant of somewhat unusual form originally hung from a chain threaded through metal rings attached to the loops on the rectangular plate at the top. The combination of filigree and a thicker silver rim is often seen in Turkoman silver jewelry. The use of blue stones as protection from the "evil eye" has a long history in Islamic culture, particularly in the Persianate world.
Marshall and Marilyn R. Wolf, Toronto, Canada (until 2005; gifted to MMA)
New York. The Metropolitan Museum of Art. "Turkmen Jewelry," October 9, 2012–February 24, 2013, no. 116.
Diba, Layla S. "Silver Ornaments from the Marshall and Marilyn R. Wolf Collection." In Turkmen Jewelry. The Metropolitan Museum of Art, 2011. no. 116, pp. 42, 163-164, ill. fig. 6 (color), pl. 116 (color).
Ekhtiar, Maryam, Sheila R. Canby, Navina Haidar, and Priscilla P. Soucek, ed. Masterpieces from the Department of Islamic Art in The Metropolitan Museum of Art. 1st ed. ed. New York: The Metropolitan Museum of Art, 2011. no. 199, pp. 9, 284, ill. p. 284 (color).