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Gold statue of a nude woman, pointing a bow and arrow in the direction of a stately gray facade.
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The American Wing

About Us

Visitors to the American Wing will experience in more than 75 galleries on three floors varied art, design, and culture from the mid-seventeenth to the mid-twentieth century, with some contemporary expressions, by a diverse array of artists from across North America. Since our founding in 1924, this curatorial department has evolved its collecting to include some 20,000 artworks in many mediums by African American, Asian American, Euro-American, Latin American, and Native American makers, affirming ever more inclusive definitions of American art and identity. These dynamic holdings include painting, sculpture, drawing, furniture, textiles, regalia, ceramics, basketry, glass, silver, metalwork, jewelry, as well as historic interiors and architectural fragments, produced by highly trained and self-taught artists, both identified and unrecorded. Monumental sculpture, stained glass, and architectural elements are installed in the Charles Engelhard Court; silver, gold, glass, and ceramics on the courtyard balconies. Narratives of American domestic architecture and furnishings are explored in twenty historical interiors, or period rooms. Changing rotations of painting, sculpture, works on paper, and textiles appear throughout the Wing.

Since its establishment in 1870, The Met has acquired significant examples of American art. A separate American Wing to display Euro-American domestic arts of the seventeenth to early nineteenth centuries opened in 1924; painting and sculpture galleries and a skylit courtyard were added in 1980. A major renovation and reinstallation of the Wing’s space and collection occurred between 2002 and 2012, and, in 2024, the department marked its 100th anniversary with a new reinstallation highlighting its history and ongoing evolution.

The Metropolitan Museum of Art is situated in Lenapehoking, homeland of the Lenape diaspora, and historically a gathering and trading place for many diverse Native Peoples, who continue to live and work on this island. We respectfully acknowledge and honor all Indigenous communities—past, present, and future—for their ongoing and fundamental relationships to the region.


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Dave (later recorded as David Drake) ; made at Stony Bluff Manufactory, Old Edgefield District, Sout American, Alkaline-glazed stoneware, American
Dave (later recorded as David Drake)
Manufacturer Stony Bluff Manufactory
1858
Bottle, Wistarburgh Glassworks  American, Free-blown glass, American
Probably Wistarburgh Glassworks
1738–ca. 1777
Shop Girls, William James Glackens  American, Pastel and watercolor on illustration board, American
William James Glackens
ca. 1900
Vase, John Bennett  American, Painted and glazed earthenware, American
John Bennett
1882
Turnus Provoked into War by Aeneas, José Manuel de la Cerda  Mexican, Wood, painted lacquer, gold, Mexican
José Manuel de la Cerda
ca. 1764
The Champion Single Sculls (Max Schmitt in a Single Scull), Thomas Eakins  American, Oil on canvas, American
Thomas Eakins
1871
The Battle of the Little Bighorn, Standing Bear/ Mató Nájin  Minneconjou Lakota/Teton Sioux, Pencil, ink, and watercolor on muslin, Minneconjou Lakota/ Teton Sioux, Native American
Standing Bear/ Mató Nájin
ca. 1920
Bélizaire and the Frey Children, Jacques Guillaume Lucien Amans  Franco-American, Oil on canvas
Attributed to Jacques Guillaume Lucien Amans
ca. 1837
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