Department Bibliography
Capua, Rebecca. “Facsimiles, Artworks, and Real Things.” In Metropolitan Museum Journal 56, (2021), pp. 98-112.
Mustalish, Rachel. “Paper, Patterns, and Play: Juan Gris’s Materials and Techniques.” In Cubism and the Trompe L’Oeil Tradition, by Emily Braun and Elizabeth Cowling, pp 69–85. New Haven: The Yale University Press, 2022.
Mustalish, Rachel. “Capturing Modern Life: Cyril E. Power’s The Eight from Sketch to Print.” In Modern Times, British Prints, 1913-1939, by Jennifer Farrell, Rachel Mustalish and Gillian Forrester.
New York: Metropolitan Museum of Art, 2021, pp. 69-82, and Notes, pp 192-193.
Shelley, Marjorie. “Precious Powder: The Fragility of Degas’s Pastels.” 150th Anniversary: Conservation Stories. New York: MMA, 2020. https:// www.metmuseum.org/about-the-met/conservation-and-scientific-research/conservation-stories/2020/degas-woman.
Shelley, Marjorie, Constance McPhee, and Ashley Dunn. “How Is a Drawing Made?” The Materials and Techniques of Drawings and Prints. New York: MMA, 2020. https://www.metmuseum.org/about-the-met/curatorial -departments/drawings-and-prints/materials-and-techniques/drawing.
Capua, Rebecca. Review of The Chiaroscuro Woodcut in Renaissance Italy, by Naoko Takahatake. Journal of the American Institute for Conservation 58, no. 3 (2019), pp. 196–98.
Capua, Rebecca. “Japonisme and Japanese Works on Paper: Cross Cultural Influences and Hybrid Materials.” In Adapt and Evolve, 2015: East Asian Materials and Techniques in Western Conservation; Proceedings from the International Conference of the Icon Book & Paper Group, London, 8–10 April 2015, pp. 28–42. London: Institute of Conservation, 2017. https://www.icon.org.uk/node/4998.
Capua, Rebecca. “Papyrus-making in Egypt.” https://www.metmuseum.org/toah/hd/pyma/hd_pyma.htm (March 2015).
Capua, Rebecca. “Filling In History: Conserving Fifteenth-Century Tibetan Initiation Cards, Continued.” http://www.metmuseum.org/about-the-museum/now-at-the-met/2015/tibetan-cards-continued, (January 2015).
Mustalish, Rachel and Isabelle Duvernois. “‘The Livingness of Appearances’ Materials and Techniques of Marsden Hartley in Maine.” In Marsden Hartley's Maine, edited by Donna Cassidy, Elizabeth Finch, and Randall R. Griffey. Exh. cat., MMA, New York; and Colby College Museum of Art, Waterville, Me. New York: MMA, 2017, pp 154–163.
Mustalish, Rachel. “Drawings from The Metropolitan Museum of Art: A Microcosm of Gósol / Dibuixos del Metropolitan Museum of Art: Un microcosmos de Gósol.” In Picasso: De ‘Pageses d’Andorra’ a ‘Demoiselles d’Avignon’; Un viatge romànic, edited by Concepció Boncompte, Andorra: Govern d’Andorra, 2016, pp. 107–15, 208–10.
Mustalish, Rachel. Focus on Modern Art: Pablo Picasso's Three Nudes, 1906 in Cubism: Leonard A. Lauder Collection. Exh.cat Microsite, video. New York: The Metropolitan Museum of Art. https://www.metmuseum.org/metmedia/video/lauder-research-center/picasso-three-nudes. (2015)
Mustalish, Rachel. A Closer Look: Pablo Picasso's Three Nudes, 1906 https://www.metmuseum.org/art/libraries-and-research-centers/leonard-lauder-research-center/cubist-collection/a-closer-look/picasso-three-nudes. (2015)
Mustalish, Rachel. A Closer Look: Pablo Picasso's Head of a Man, 1908 https://www.metmuseum.org/art/libraries-and-research-centers/leonard-lauder-research-center/cubist-collection/a-closer-look/picasso-head-of-a-man. (2015)
Mustalish, Rachel. A Closer Look: Pablo Picasso's Standing Woman, 1912
https://www.metmuseum.org/art/libraries-and-research-centers/leonard-lauder-research-center/cubist-collection/a-closer-look/picasso-standing-woman. (2015)
Mustalish, Rachel. A Closer Look: Pablo Picasso's Man with a Guitar, 1915–16 https://www.metmuseum.org/art/libraries-and-research-centers/leonard-lauder-research-center/cubist-collection/a-closer-look/picasso-man-with-a-guitar. (2015)
Mustalish, Rachel. Juan Gris's Two Collages from 1914: Cup, Glasses, and Bottle (Le Journal) and Flowers https://www.metmuseum.org/art/libraries-and-research-centers/leonard-lauder-research-center/cubist-collection/a-closer-look/gris-cup-glasses-and-bottle-le-journal. (2015)
Mustalish, Rachel. Juan Gris's Book and Glass, 1914 https://www.metmuseum.org/art/libraries-and-research-centers/leonard-lauder-research-center/cubist-collection/a-closer-look/gris-book-and-glass. (2015)
Mustalish, Rachel. Pablo Picasso's Man Leaning on a Table with Playing Cards, 1914 https://www.metmuseum.org/art/libraries-and-research-centers/leonard-lauder-research-center/cubist-collection/a-closer-look/picasso-man-leaning-on-a-table-with-playing-cards (2015)
Ruiz Molina, Marina. “The Creative Process of Manaku and the Pahari Painters: Layers of Memory”, Now at the Met. New York: MMA, 2019. https://www.metmuseum.org/blogs/now-at-the-met/2019/seeing-the-divine-creative-process-manaku-pahari-painting
Ruiz Molina, Marina. and Nora Kennedy, Louisa Smieska, and Silvia Centeno, "A Hidden Photograph by Julia Margaret Cameron." Metropolitan Museum Journal 53 (2018), pp. 162-171.
Ruiz Molina, Marina. “Painting with Coffee and Cola: The Surprising Colors of Thornton Dial.” Collection Insights. New York: MMA, 2018. https://www.metmuseum.org/blogs/collection-insights/2018/thornton-dial-materials-analysis-conservation.
Ruiz Molina, Marina. “What Lies Beneath a Tiffany Drawing, Part Two.” Collection Insights. New York: MMA, 2018. https://www.metmuseum.org/blogs/collection-insights/2018/conservation-louis-comfort-tiffany.
Ruiz Molina, Marina. and C. Olsen. "Drawing, Photography, and the Design of Tiffany Studios' Te Deum Laudamus Mosaic Triptych." Metropolitan Museum Journal 51 (2017), pp. 162-181.
Ruiz Molina, Marina. et al. “What Lies Beneath a Tiffany Drawing?” Now at the Met. New York: MMA, 2017.
https://www.metmuseum.org/blogs/now-at-the-met/2017/secrets-of-louis-comfort-tiffany-process.
Shelley, Marjorie, ed., with contributions by members of the curatorial and conservation departments of The Metropolitan Museum of Art. The Care and Handling of Art Objects: Practices in The Metropolitan Museum of Art. Rev. ed. New York: MMA, 2019. https://www.metmuseum.org./art/metpublications/The_Care_and_Handling_of_Art_Objects_Practices_in_The_Metropolitan_Museum_of_Art_2019.
Shelley, Marjorie. “Cristina Grassi, Still Life Pastelist.” In Pastels of Cristina Grassi. https://www.cristinagrassipastels.com/essay-by-shelley (2018).
Shelley, Marjorie. “Line and Color: The Drawing Practices of Delacroix.” In Ashley Dunn, with contributions by Colta Ives and Marjorie Shelley, Delacroix Drawings: The Karen B. Cohen Collection, Exh. cat. New York: MMA, 2018, pp. 137–47, 153–55.
Shelley, Marjorie. “Mary Cassatt in a Modernist Light: A Close Look at Mother and Child.” Collection Insights. New York: MMA, March 29, 2018. https://www.metmuseum.org/blogs/collection-insights/2018/mary -cassatt-modernist-mother-child.
Shelley, Marjorie, Katharine Baetjer, Charlotte Hale, and Cynthia Moyer. “Benjamin Franklin, Ambassador to France: Portraits by Joseph Siffred Duplessis.” Metropolitan Museum of Art Journal, 52 (2017), pp.58-71.
Shelley, Marjorie. “A Disputed Pastel Reclaimed for Degas: Two Dancers, Half-Length.”, Metropolitan Museum of Art Journal 51, (2016), pp. 128-145.
Shelley, Marjorie. “Mannequins: A Tool of the Artist's Workshop.” Now at the Met New York: MMA, April 21, 2016. www.metmuseum.org/blogs/now-at-the-met/2016/mannequins-as-tool-of-the-artist-workshop.
van Dyke, Yana, et al. “On the Formation of hörnesite in a Fatamid manuscript folio”, Heritage Science 2018. 6:54.
van Dyke, Yana. “Agarose-enzyme gels in paper conservation”, in Gels in the Conservation of Art. Edited by Lora V. Angelova, Brownyn Ormsby, Joyce H. Townsend, and Richard Wolbers. London: Archetype Publications, 2017. pp. 101-107.
van Dyke, Yana and Roldan, María L., Silvia A. Centeno, and Adriana Rizzo. “Characterization of Bistre Pigment Samples by FTIR, SERS, Py-GC/MS and XRF.” MRS Proceedings 1656 (2017): 139–48. https://doi.org/10.1557/opl.2014.823.
van Dyke, Yana and Angela Campbell. “Preserving the Spirit Within: Bringing Twenty-five Tibetan Initiation Cards into the 21st Century” in The Book and Paper Group Annual 2015 34 (2015). pp. 38-49.
http://cool.conservation-us.org/coolaic/sg/bpg/annual/v34/bp34-08.pdf.
van Dyke, Yana. “The Art of Marbled Paper: Dynamic Fluids in Flow.” RumiNations New York: MMA, June 23, 2015. www.metmuseum.org/about-the-museum/museum-departments /curatorial-departments/islamic-art/ruminations/2015/marbled-paper.
van Dyke, Yana. “Conservation Concerns: The Care of Medieval Manuscripts.” The Winchester Bible: Exhibition Blog. New York: MMA, January 27, 2015. www.metmuseum.org/exhibitions/listings/2014/winchester-bible /blog/posts/conservation-concerns.
Capua, Rebecca. “The Obscure History of a Ubiquitous Pigment: Phosphorescent Lithopone and Its Appearance on Drawings by John La Farge.” The Journal of The American Institute for Conservation 53, no. 2 (2014), pp. 75-88.
Capua, Rebecca. “The Gilliéron Paintings on Paper, from a Conservation Perspective.”
http://www.metmuseum.org/about-the-museum/now-at-the-met/features/2011/the-gilliron-paintings-on-paper-from-a-conservation-perspective (May 2011).
Mustalish, Rachel. “Technical Notes.” In Stieglitz and His Artists: Matisse to O'Keeffe, edited by Lisa Mintz Messinger. Exh. cat., New York: The Metropolitan Museum of Art, 2011, pp. 38-235.
Mustalish, Rachel. “Technical Notes”. In Picasso in the Metropolitan Museum of Art, edited by Gary Tinterow and Susan Alyson Stein. Exh. cat., New York: The Metropolitan Museum of Art. New Haven: Yale University Press, 2010, pp. 16-258.
Ruiz Molina, Marina. "The Conservation of Tiffany Studio Drawings: Finding New Ways to Reconstruct Complex Paper Loss." The Book and Paper Group 33 (2014), pp. 60-70.
Ruiz Molina, Marina. “The Collages of Esteban Vicente: Materials and Techniques.” 14th Congress on Conservation of Contemporary Art. Museo Centro de Arte Contemporáneo Reina Sofía and IIC, 2013.
Shelley, Marjorie. “Cézanne as Draftsman: Sketchbooks and Graphite Drawings.” In Madame Cézanne, by Dita Amory, Exh. cat. New York: MMA, 2014, pp. 107–45.
Shelley, Marjorie. “Drawing Birds. John James Audubon’s Artistic Practices.” In Audubon’s Aviary: The Original Watercolors for The Birds of America, by Roberta J. M. Olson. New York: Rizzoli and New-York Historical Society, 2012, pp. 109‒31.
Shelley, Marjorie, and Freyda Spira. Catalogue entry and technical entries. In Dürer and Beyond: Central European Drawings in The Metropolitan Museum of Art, 1400–1700, by Stijn Alsteens and Freyda Spira. Exh. cat. New York: MMA, 2012, pp. 62–64.
Shelley, Marjorie. “Modern Since 1887” preface In Sennelier- l’artisan des couleurs. A History in Color by Pascale Richard, Éditions du Chêne, Hachette Livre, 2012, p. 11.
Shelley, Marjorie. “Painting in the Dry Manner: The Flourishing of Pastel in 18th-Century Europe.” In “Pastel Portraits: Images of 18th-Century Europe,” Metropolitan Museum of Art Bulletin 68, no. 4 (Spring 2011), pp. 5– 56.
Shelley, Marjorie. “Eighteenth-Century Pastel Portraits: Notes on Their Rising Popularity, Materials, Techniques, and Preservation.” New York: MMA, 2000. www.metmuseum.org/now-at-the-met/features/2011/ 07/05/the-rise-of-pastel-in-the-eighteenth-century.aspx (July 2011).
van Dyke, Yana. “Casting Light on the Surface, Scientific Exactitude Meets Poetic Inspiration: A Close Look at Six Objects from the Islamic Collection of the Metropolitan Museum of Art” In Handpapermaking 27 No. 2 (Winter 2012,) pp 17-23. https://handpapermaking.org/?p=117
van Dyke, Yana, Molly Emma Aitken and Shanane Davis. “Old Methods in a New Era: What Can Connoisseurship Tell Us about Rukn-ud-Din?” In A Companion to Asian Art and Architecture (Blackwell Companions to Art History) edited by Rebecca M. Brown, Deborah S. Hutton. USA: Wiley and Blackwell Ltd, May 2011. https://onlinelibrary.wiley.com/doi/abs/10.1002/9781444396355.ch10
Capua, Rebecca. “Material Japonisme in American Art, 1876-1925.” The Book and Paper Group Annual, 28 (2009) pp. 11-19. https://cool.conservation-us.org/coolaic/sg/bpg/annual/v28/bp28-04.pdf
Mustalish, Rachel. “Variations on the Theme: Modern Manipulation of Traditional Printmaking Techniques” with Andre Ribuoli.” In Printed on Paper: The Techniques, History and Conservation of Printed Media; 5–7 September 2007, The Sage Gateshead, UK, edited by Jane Colbourne and Reba Fishman Snyder, Newcastle upon Tyne: Arts and Social Sciences Academic Press Lipman Building Northumbria University, 2009, pp. 148–156
Mustalish, Rachel and David Green. Digital Technologies and the Management of Conservation Documentation. A Survey Commissioned by the Andrew W. Mellon Foundation. New York, 2009. http://mac.mellon.org/Mellon%20Conservation%20Survey.pdf.
Mustalish, Rachel. “Materials and Techniques of the Grosvenor School Artists.” In Rhythms of Modern Life: British Prints 1914–1933, edited by Clifford S. Ackley. Exh. cat. Boston: Museum of Fine Arts, Boston, 2008, pp. 189-203.
Mustalish, Rachel. "Plastics in paper: History of Synthetic Polymers in Papermaking.” In Edinburgh Conference Papers 2006. London: The Institute of Conservation, 2007, pp. 141–146.
Ruiz Molina, Marina. “Mounting as a cause of degradation. Contemporary Art on paper mounted on secondary supports.” 16th International Meeting on Heritage Conservation. Universidad Politécnica de Valencia, 2006.
Shelley, Marjorie. “Joseph Wright’s Pastel: Portrait of a Woman, Part III: Technique and Aesthetics.” Metropolitan Museum of Art Journal 44 (2009), pp. 113–20.
Shelley, Marjorie. “Joseph Wright of Derby: A Pastel in Grisaille.” Metropolitan Museum of Art Journal 44 (2009), pp.89-120.
Shelley, Marjorie. “A Tale of Two Sultans, Part II: The Materials and Techniques of an Original Drawing by Fragonard and a Copy.” Metropolitan Museum of Art Journal 44 (2009), pp. 130–37.
Shelley, Marjorie. “Assimilating Modernism: The Pastel Technique of William Merritt Chase.” In Ronald Pisano, William Merritt Chase, The Paintings in Pastel, Monotypes, Painted Tiles and Ceramic Plates, Watercolors, and Prints. The Complete Catalogue of Known and Documented Work. Vol.1 New Haven: Yale University Press, 2005, pp. 99-114.
Shelley, Marjorie. “The Care and Preservation of Pastels,” The Pastel Society of America Annual Catalogue. New York, 2005, pp. 10-12.
Shelley, Marjorie. Contributions to “Infrared Reflectography: The Drawings under the Drawings” In Colta Ives et al, Vincent Van Gogh: The Drawings. Exh. cat. New York: Metropolitan Museum of Art, 2005, pp. 338-347.
Shelley, Marjorie. “Pastelists at Work. Two eighteenth century French portraits recently acquired by the Metropolitan Museum of Art.” Metropolitan Museum of Art Journal 40, (2005), pp.105-119.
Shelley, Marjorie. “Samuel Palmer’s Materials and Techniques: The Later Years.” In William Vaughn and Elizabeth Barker, Samuel Palmer: Vision and Landscape, pp. 37-41. Exh. cat. London: The British Museum, 2005.
Shelley, Marjorie. “Technical Studies: Observations on the Drawing Materials Used by Van Gogh in Provence.” In Colta Ives et al, Vincent Van Gogh: The Drawings. Exh. cat. New York: Metropolitan Museum of Art, 2005, pp. 348-356.
van Dyke, Yana. “Sacred Leaves: The Conservation and Exhibition of Early Buddhist Manuscripts on Palm Leaves” in The Book and Paper Group Annual, 28 (2009), Washington, D.C.: AIC, pp.83-99. https://cool.conservation-us.org/coolaic/sg/bpg/annual/v28/bp28-17.pdf
Mustalish, Rachel. “Modern Materials: Plastics” in Timeline of Art History, The Metropolitan Museum of Art, www.metmuseum.org, (2004).
Mustalish, Rachel. “Printmaking Techniques of the WPA Printmakers.” In African American–Artists, 1929–1945: Prints, Drawing and Paintings in The Metropolitan Museum of Art”, Lisa Mintz Messinger, Lisa Gail Collins, Rachel Mustalish. Exh. cat. New York and New Haven: The Metropolitan Museum of Art/ Yale University Press, 2003, pp. 83-90.
Mustalish, Rachel and with Kim Nichols. “Cyclododecane in Paper Conservation Discussion” in The Book and Paper Group Annual 21 (2002), pp. 81–4.
Mustalish, Rachel. “Review of Part and Parcel of the Job: Conference on the Packing and Transportation of Works of Art”. Paper Conservation News, no. 103, September 2002, pp. 8–9.
Mustalish, Rachel. "Optical Brighteners: History and Technology." In: Roy, A. and Smith, P. (eds.), (2000) Tradition and Innovation: Advances in Conservation, IIC Preprints of the Contributions to the Melbourne Congress, 10–14 October 2000. London: International Institute for Conservation of Historic and Artistic Works, pp.133–36.
Shelley, Marjorie. “Crayon.” In Oxford Art Online. Oxford University Press, 2003. https://doi.org/10.1093/gao/9781884446054.article.T020164
Shelley, Marjorie. “An Aesthetic Overview of the Pastel Palette.” In The Broad Spectrum: Studies in the Materials, Techniques, and Conservation of Color on Paper, edited by Harriet K. Stratis and Britt Salvesen. London: Archetype, 2002, pp. 2-11.
Shelley, Marjorie. “The Craft of American Drawings: A Technical History of American Drawings and Watercolors.” Checklist. In American Drawings, Catalogue I, Artists born before 1835. New York: Metropolitan Museum of Art, 2002, pp. 28-78 and Checklist, pp.289-367.
Shelley, Marjorie. “Gaugin’s Work on Paper: Observations on Materials and Techniques;” and “contributions to check list”. In The Lure of the Exotic: Gaugin in New York Collections, Exh. cat. New York: Metropolitan Museum of Art, 2002, pp. 197-215.
Shelley, Marjorie. “John Singer Sargent as Draftsman”, In Barbara Weinberg, S. Herdrick, M. Shelley, American Drawings and Watercolors in the Metropolitan Museum of Art: John Singer Sargent, Exh. cat. New York: The Metropolitan Museum of Art, 2000, pp. 17-33.
van Dyke, Yana. “Practical Applications of Protease Enzymes in Paper Conservation” in The Book and Paper Annual 23 (2004) Washington, D.C., AIC. https://cool.conservation-us.org/coolaic/sg/bpg/annual/v23/bp23-16.pdf
van Dyke, Yana. “Practical Applications of Enzymes in Paper Conservation” In Art, Biology, and Conservation: Biodeterioration in Works of Art. Edited by Robert Koestler, Victoria H. Koestler, Elena Charola, and Fernando E Nieto, New York: The Metropolitan Museum of Art, 2003, pp. 152-71.
Mustalish, Rachel. "Glossary of Technical Terms." In PhotoImage: Printmaking 60s to 90s, edited by Clifford S. Ackley. Museum of Fine Arts, Boston, 1998, pp. 88–91.
Mustalish, Rachel. “Development of Photomechanical Printing Processes in the Late 19th Century,” in Topics in Photography Conservation, 7. San Francisco, CA: Photographic Materials Group (PMG) of the American Institute for Conservation of Historic & Artistic Works (AIC), 1997, 73-87.
Shelley, Marjorie. “Review of ‘Carlo James, Old Master Prints and Drawings: A Guide to Preservation and Conservation’,” Amsterdam, 1997. In Master Drawings 36 no.4 (Winter 1998), pp. 432-435.
Shelley, Marjorie. “Painting in Crayon: The Pastels of John Singleton Copley.” In John Singleton Copley in America. Carrie Rebora, Paul Staiti, Erica E. Hirschler, Theodore E. Stebbins Jr., Carol Troyen; with contributions by Morrison H. Heckscher, Aileen Ribeiro, Marjorie Shelley, Exh. cat. New York: Metropolitan Museum of Art, 1995, pp 127-141.
Shelley, Marjorie. "Splendid Mountain. A Sketchbook by the young John Singer Sargent" The Metropolitan Museum Journal 28, (1993), pp.185 - 205.
Shelley, Marjorie. "The Conservation of the Van Renssalaer Wallpaper," Journal of the American Institute of Conservation, 20 (1981), Excerpted in the Architectural Conservation Technology Manual, Vol. 6, Quebec, Canada, 1993, pp.126-138.
Shelley, Marjorie. “Storage of Works on Paper.” In Conservation Concerns, A Guide for Collectors and Curators, edited by K. Bachman, pp. 29-33. Washington, D.C.: Smithsonian Institution, 1992.
Shelley, Marjorie. "Warning Signs" and "Archival Storage". Reprints from 1984, 1983. In Cooper-Hewitt Guide to Museum Conservation, Washington, D.C.: Smithsonian Institution, 1992.
Shelley, Marjorie. “Warning Signs: When Works on Paper Require Conservation.” In Conservation Concerns, A Guide for Collectors and Curators, edited by K. Bachman, pp. 35-38. Washington, D.C.: Smithsonian Institution, 1992.
Shelley, Marjorie. "American Pastels of the Late Nineteenth and Early Twentieth Centuries: Materials and Techniques." In American Pastels in the Metropolitan Museum of Art, edited by Doreen Bolger, Mary Wayne Fritzsche, Jacqueline Hazzi, Marjory Shelley et al., New York: The Metropolitan Museum of Art, 1989, pp.33-45.
Shelley, Marjorie. "Old Master Drawings: An Approach to Conservation," Book and Paper Group Annual 8(1989), Washington, D.C.: American Institute of Conservation, 1989, pp. 62-66.
Shelley, Marjorie. The Care and Handling of Art Objects. Marjorie Shelley, with contributions by members of the curatorial and conservation departments of The Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1987.
Shelley, Marjorie. "Recognizing the Warning Signs: When Works of Art on Paper Require Conservation," New York State Council on the Arts. Bulletin 11, 1984.
Shelley, Marjorie. "Rembrandt's Ink," Book and Paper Group Annual. 2 (1983), pp. 93-94 Washington, D.C.: American Institute for Conservation, 1984.
Shelley, Marjorie. "Storage of Archival Documents and Works of Art on Paper," New York State Council on the Arts. Bulletin 2, (1983).
Shelley, Marjorie. "Preserving American Folk Art on Paper," Art and Antiques Magazine 5:1 (Jan.-Feb. 1982), pp.116ff.
Shelley, Marjorie. "A Study of Rembrandt's Drawings Using X-Ray Fluorescence," M. Shelley and G. Carriveau, in Nuclear Instruments and Methods 193 (1982) pp. 297-301.
Shelley, Marjorie. "Cambridge '80, A Review," Drawings, II, no.5 (Jan.-Feb. 1981) p.113-114.
Shelley, Marjorie. The Conservation of the Van Renssalaer Wallpaper," In Architectural Conservation Technology Manual, Vol.6, Quebec, Canada, 1993, excerpted from the Journal of the American Institute of Conservation, no. 20, (1981), pp.126-138.
Shelley, Marjorie. "The van Renssalaer Wallpaper: A Technical Report." In The Preservation and Use of Artistic Cultural Heritage, Perspectives and Solutions. New York: The Metropolitan Museum of Art, 27, 28, 29 May 1980.” Rome: Tipografia Varese, 1981, pp. 134-139.
N.A.
Shelley, Marjorie and Noel L. Kunz. “Seminar on Photographic Preservation.” Bulletin of the American Institute for Conservation of Historic and Artistic Works, (15), no. 1, 1974, pp. 40–41. www.jstor.org/stable/3179214.
Shelley, Marjorie. "An Evaluation of Dip Impregnation Treatment for the Conservation of Deteriorated Books.” In Bulletin of the American Institute for Conservation 13, no.1 (1972).