Armchair

Attributed to Adam Hains American

Not on view

Among the French émigrés who arrived in Philadelphia and New York City in the 1790s were artisans, including upholsterers and cabinetmakers, who brought French styles and techniques that were adopted by local craftsmen for their patrons who desired furniture in the French taste. This upholstered armchair with its gently curved back is based on a late Louis XVI fauteuil en cabriolet. The mahogany frame is attributed to a Philadelphia cabinetmaker; the French-style upholstery may be by George Bertault, who advertised himself in a Philadelphia newspaper in 1793 as an "upholsterer from Paris." The original upholstery foundations survive beneath the modern cover fabric; the crisp, squared shape of the front seat and chair back, which follows the outline of the frame, was called a "French edge." The high padding on the "elbows" was also a French upholstery practice.

Armchair, Attributed to Adam Hains (1768–after 1820), Mahogany with ash, American

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.