Armchair, Auguste-Émile Rinquet-Leprince (1801–1886), Applewood or pearwood, ebonized walnut, beech, and gilt bronze mounts, American or French


Auguste-Émile Rinquet-Leprince (1801–1886)
ca. 1843
Possibly made in Paris, France; Possibly made in New York, New York, United States
American or French
Applewood or pearwood, ebonized walnut, beech, and gilt bronze mounts
38 1/2 x 23 1/4 x 26 1/8 in. (97.8 x 59.1 x 66.4 cm)
Credit Line:
Gift of Mrs. Douglas Williams, 1969
Accession Number:
On view at The Met Fifth Avenue in Gallery 736
In the 1840s, many well-to-do New Yorkers preferred French furniture to that made in their native city. In 1844, Mrs. Samuel Jaudon of New York wrote to her friend Mrs. James C. Colles that "we on this side feel as if everything [is] so much handsomer, and better, and desirable that comes from Paris." Upon orders from New York clients, Parisian cabinetmaker and decorator Ringuet-Leprince shipped entire rooms of furniture, carpets, looking glasses, wallpapers, decorative objects, and sculpture. This armchair is part of a formal drawing room suite that was custom-made by Ringuet-Leprince as part of a suite for the abovementioned Colles family. The suite includes a pair of sofas, four armchairs, four side chairs, a firescreen, and a table (see 69.262.1-10). In 1850, the Colles' daughter, Frances, married John Taylor Johnston, a New York railroad executive who later served as the first president of The Metropolitan Museum of Art from 1870 to 1889. The suite of furniture descended in the family, original upholstery intact, and, except for two armchairs, was given to the Museum in 1969.
Mr. and Mrs. James C. Colles, New York; their daughter, Frances (Mrs. John Taylor) Colles Johnston, New York; her daughter, Mrs. Robert W. de Forest, New York; Mrs. Douglas Williams, New York, until 1969