The Belau archipelago comprises one large and numerous smaller islands north of New Guinea. In Belauan society, men are grouped according to age and status. Until the mid-twentieth century, each group had a separate men's house in which they spent most of their time. Men's houses were impressive structures with high pitched roofs and large triangular gables, decorated with carvings and paintings. The interior beams and gable planks were adorned with incised and painted images depicting scenes from local legends. Female figures such as this one were often placed above the entrance to the men's house. The figures depict a legendary woman named Dilukai whose excessive promiscuity caused her angry father to tie her in an exposed position to warn village women to be more chaste. Ironically, men's houses were frequently home to prostitutes sent from other villages to earn wealth for their families.
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Artwork Details
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Title:Gable Figure (Dilukai)
Date:late 19th–early 20th century
Geography:Republic of Palau, Caroline Islands
Culture:Belauan
Medium:Wood, paint
Dimensions:H. 26 in. × W. 38 in. × D. 10 1/4 in. (66 × 96.5 × 26 cm)
Classification:Wood-Sculpture
Credit Line:The Michael C. Rockefeller Memorial Collection, Gift of Nelson A. Rockefeller, and Purchase, Nelson A. Rockefeller Gift, 1970
Object Number:1978.412.1558a-d
Dr. Augustin Kraemer, collected 1908–1910; Linden-Museum, Stuttgart, Germany; [Everett Rassiga, New York, until 1970]; The Museum of Primitive Art, New York, 1970–1978
Museum of Primitive Art. "Sculpture of Oceania," March 31, 1971–September 12, 1971.
New York. The Metropolitan Museum of Art. "Sculpture of Oceania," April 4–September 5, 1972.
The Metropolitan Museum of Art. "Art of Oceania, Africa and the Americas," September 22, 1972–1974.
American Federation of Arts. "Primitive Art/Masterworks," January 5, 1975–May 15, 1977.
Seattle Art Museum. "Primitive Art/Masterworks," January 5, 1975–February 16, 1975.
Museum of Fine Arts, Houston. "Primitive Art/Masterworks," March 23, 1975–May 4, 1975.
Dallas Museum of Art. "Primitive Art/Masterworks," June 8, 1975–July 20, 1975.
Art Institute of Chicago. "Primitive Art/Masterworks," August 25, 1975–October 10, 1975.
Virginia Museum of Fine Arts. "Primitive Art/Masterworks," November 9, 1975–December 21, 1975.
Toledo Museum of Art. "Primitive Art/Masterworks," April 11, 1976–May 25, 1976.
Walker Art Center. "Primitive Art/Masterworks," June 27, 1976–August 8, 1976.
Denver Art Museum. "Primitive Art/Masterworks," September 10, 1976–November 7, 1976.
de Young Museum, Fine Arts Museums of San Francisco. "Primitive Art/Masterworks," March 12, 1977–May 15, 1977.
National Gallery of Art, Washington D.C. "The Art of the Pacific Islands," Sunday, July 1, 1979 - Sunday, October 14, 1979.
Kubary, J. S. Ethnographische Beiträge zur Kenntnis des Karolinen Archipels. Vol. 3 parts. Leiden: P. W. M. Trap, 1889–1895, pp. 243–44, pl. 45.
Krämer, Augustin. "Palau." In Ergebnisse der Südsee-Expedition, 1908-1910. Ethnographie. Vol. vol. 3. 1926, Plate 4.
American Federation of Arts. Primitive Art Masterworks: an exhibition jointly organized by the Museum of Primitive Art and the American Federation of Arts, New York. New York: American Federation of Arts, 1974, no. 100.
Newton, Douglas. Masterpieces of Primitive Art: The Nelson A. Rockefeller Collection. New York: Alfred A. Knopf, 1978, p. 166.
Gathercole, P., Adrienne L. Kaeppler, and Douglas Newton. The Art of the Pacific Islands. Washington, DC: National Gallery of Art, 1979, p. 267, no. 19.12.
Heermann, Ingrid. "Dilukais Blick über Grenzen." In Auf Spurensuche: Forschungsberichte aus und um Ozeanien zum 65. Geburtstag von Dieter Heintze. Bremen: Übersee-Museum Bremen, 2004, p. 233, 234, 236.
Kjellgren, Eric. Oceania: Art of the Pacific Islands in the Metropolitan Museum of Art. New York and New Haven: The Metropolitan Museum of Art, 2007, pp. 267–268, no. 158.
Kjellgren, Eric. How to Read Oceanic Art. How to Read 3. New York: The Metropolitan Museum of Art, 2014, pp. 128–31.
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