The art of Henri-Edmond Cross belongs to the later years of Neo-Impressionism. It was not until he moved to Saint-Clair, a small hamlet on the Côte d'Azur near Saint-Tropez, that he turned to pure landscape painting in oil and watercolor, using a vivid palette of saturated colors. On the Mediterranean coast, Cross relaxed the rigorous optical arrangements of the Divisionist technique in favor of a style of painting using long, blocky brushmarks in decorative, mosaic-like patterns. Cross painted many radiant watercolors of his semi-tropical garden in Saint-Clair, where he and Paul Signac often entertained. Pierre Matisse, André Derain, and Albert Marquet, artists later associated with the Fauve movement, were frequent guests.
Signature: Lower left: "E.C."
Vendor: Félix Fénéon (French)Through Rewald
The Metropolitan Museum of Art. "Drawings, Prints and Photographs: A Selection," July 25, 1989 - September 10, 1989.
Solomon R. Guggenheim Museum. "Neo-Impressionism," February 1, 1968–April 15, 1968.
Paris. Musée du Louvre. "Dessins Français du Metropolitan Museum of Art, New York, de David à Picasso," October 25, 1973–January 7, 1974.
The Metropolitan Museum of Art. "Drawings and Prints: Selections from the Permanent Collection," July 29, 1996–October 21, 1996.
Collection Fénéon (Deuxième Vente): Tableaux Modernes - Dessins - Aquarelles - Gouaches - Pastels Sale Catalogue. Hôtel Drouot, Paris, Paris, May 30, 1947, cat. no. 5, ill.
Robert L. Herbert Neo-Impressionism. Exh. cat. Solomon R. Guggenheim Museum, New York, February-April 1968, cat. no. 23, p. 53, ill.
Jacob Bean, Linda Boyer Gillies, Cynthia Lambros, Roseline Bacou, Réunion des Musées Nationaux Dessins français du Metropolitan Museum of Art, New York de David à Picasso. 54th Exposition de Cabinet des Dessins Musée du Louvre, 25 October, 1973-7 January 1974. Paris, 1973, cat. no. 17, ill.