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Mademoiselle Bécat at the Café des Ambassadeurs, Paris

Sitter Portrait of Emélie Bécat French
1877–78
Not on view
Although cafés had flourished in Paris throughout the late eighteenth and early nineteenth century, they became the rage in literature and art after 1875, when the society of the Third Republic increasingly sought an animated public life outside the home and traditional milieus. Degas was one of the first in the circle of French Impressionists to portray the café-concert, a subject previously confined to popular prints and illustrated weeklies.

Artwork Details

Object Information
  • Title: Mademoiselle Bécat at the Café des Ambassadeurs, Paris
  • Artist: Edgar Degas (French, Paris 1834–1917 Paris)
  • Sitter: Portrait of Emélie Bécat (French)
  • Date: 1877–78
  • Medium: Lithograph; only state
  • Dimensions: image: 8 1/8 x 7 5/8 in. (20.6 x 19.4 cm)
    sheet: 13 1/2 x 10 3/4 in. (34.3 x 27.3 cm)
  • Classification: Prints
  • Credit Line: Rogers Fund, 1919
  • Object Number: 19.29.3
  • Curatorial Department: Drawings and Prints

More Artwork

More Artwork
The Dance Class, Edgar Degas French, Oil on canvas
The Dance Class
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1874
Ceramic Horn, Glazed pottery, French
Ceramic Horn
French
late 18th or early 19th century
Accident, Robert Rauschenberg American, Lithograph
Accident
Robert Rauschenberg
1963
Woman Having Her Hair Combed, Edgar Degas French, Pastel on light green wove paper, now discolored to warm gray, affixed to original pulpboard mount
Woman Having Her Hair Combed
Edgar Degas
ca. 1886–88
Osage Warrior, Charles Balthazar Julien Févret de Saint-Mémin French, Watercolor and graphite on off-white wove paper, American
Osage Warrior
Charles Balthazar Julien Févret de Saint-Mémin
1805–7

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