This painting shows the Buddha Amitabha (or Amida, in Japanese) descending from his Pure Land to welcome the soul of a recently deceased individual into his paradise. Amida is one of several Buddhas who create and maintain such realms, and paintings of the deity (either alone or attended by bodhisattvas) were among the most widely produced images in China from the twelfth to the fourteenth century. Created in the Chinese city of Ningbo and later brought to Japan, this work became associated with Zhang Sigong, an enigmatic painter to whom many Chinese Buddhist images are attributed. An almost identical Buddha appears in a well-known set of Chinese paintings of Five Hundred Arhats created in Ningbo in 1178 and worshipped at the Zen temple Daitokuji in Kyoto.
On view for rotation 2 only.
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Artwork Details
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南宋 佚名 阿彌陀佛圖 軸
Title:Buddha Amitabha Descending from his Pure Land
Artist:Unidentified artist , active 13th century
Period:Southern Song dynasty (1127–1279)
Date:13th century
Culture:China
Medium:Hanging scroll; ink and color on silk
Dimensions:Image: 53 1/2 in. × 23 in. (135.9 × 58.4 cm) Overall with mounting: 95 3/4 × 31 3/4 in. (243.2 × 80.6 cm) Overall with knobs: 95 3/4 × 33 1/2 in. (243.2 × 85.1 cm)
Classification:Paintings
Credit Line:Purchase, The Dillon Fund Gift, 1980
Accession Number:1980.275
Inscription: Artist inscription (1 column in standard script)
囗囗慶元府洗馬橋東畫囗囗囗囗囗囗
Artist’s seal
1 illegible
Private Collection, Japan (until sale, Sotheby’s New York, Chinese Paintings, June 17, 1980, lot 23, to MMA)
New York. Asia Society. "The Story of a Painting: The Korean Buddhist Treasure from the Burke Foundation," April 23, 1991–July 28, 1991.
New York. The Metropolitan Museum of Art. "Traditional Scholarly Values at the End of the Qing Dynasty: The Collection of Weng Tonghe (1830–1904)," June 30–January 3, 1999.
New York. The Metropolitan Museum of Art. "A Millennium of Chinese Painting: Masterpieces from the Permanent Collection," September 8, 2001–January 13, 2002.
New York. The Metropolitan Museum of Art. "Great Waves: Chinese Themes in the Arts of Korea and Japan II," March 22–September 21, 2003.
New York. The Metropolitan Museum of Art. "The World of Khubilai Khan: Chinese Art in the Yuan Dynasty," September 28, 2010–January 2, 2011.
New York. The Metropolitan Museum of Art. "Masterpieces of Chinese Painting from The Met Collection (Rotation One)," October 31, 2015–October 11, 2016.
New York. The Metropolitan Museum of Art. "Masterpieces of Chinese Painting from the Metropolitan Collection (Rotation Two)," May 7–October 11, 2016.
National Museum of Korea. "Goryeo: The Glory of Korea," December 4, 2018–March 3, 2019.
The Metropolitan Museum of Art. "Anxiety and Hope in Japanese Art," April 8, 2023–July 14, 2024.
Fong, Wen C. Beyond Representation: Chinese Painting and Calligraphy, 8th–14th Century. New York: The Metropolitan Museum of Art, 1992, p. 346, pl. 75.
Kungnip Chungang Pangmulgwan. Tae Koryŏ 918-2018: Kŭ Ch'allanhan Tojŏn: T'ŭkpyŏljŏn 대고려 918-2018 : 그 찬란한 도전 : 특별전 (Goryeo: the glory of Korea: special exhibition). Exh. cat. Seoul: Kungnip Chungang Pangmulgwan, 2018, pp. 195, 344, cat. no. 189.
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