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Saint Catherine of Alexandria

ca. 1342
On view at The Met Fifth Avenue in Gallery 640
Resilient wood panels share many properties with metal supports and can be worked and tooled with some of the same techniques used to create decorative objects. In 1300s Italy carpenters prepared panels and delivered them to the artist’s workshop with their framing elements attached. At the studio, artists applied a smooth layer of gesso before gilding and painting the wood. This panel has both gold- and silver-leaf surfaces further decorated with punchwork and tooling that would shimmer against the reflected candlelight of a church interior. It was once part of a larger multipanel altarpiece with a Madonna and Child image at its core.

Artwork Details

Object Information
  • Title: Saint Catherine of Alexandria
  • Artist: Pietro Lorenzetti (Italian, active Siena 1320–44)
  • Date: ca. 1342
  • Medium: Tempera on wood, gold ground
  • Dimensions: Overall 26 x 16 1/4 in. (66 x 41.3 cm); painted surface 24 1/2 x 16 1/4 in. (62.2 x 41.3 cm)
  • Classification: Paintings
  • Credit Line: Rogers Fund, 1913
  • Object Number: 13.212
  • Curatorial Department: European Paintings

More Artwork

More Artwork
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The Crucifixion, Pietro Lorenzetti Italian, Tempera and gold leaf on wood
The Crucifixion
Pietro Lorenzetti
1340s
Madonna and Child, Berlinghiero Italian, Tempera on wood, gold ground
Madonna and Child
Berlinghiero
possibly 1230s
The Adoration of the Magi, Giotto di Bondone Italian, Tempera on wood, gold ground
The Adoration of the Magi
Giotto di Bondone
possibly ca. 1320
Madonna and Child, Duccio di Buoninsegna Italian, Tempera and gold on wood
Madonna and Child
Duccio di Buoninsegna
ca. 1290–1300
Saint Anthony of Padua, Maso di Banco Italian, Tempera on wood, gold ground
Saint Anthony of Padua
Maso di Banco
ca. 1340

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