Seated Dervish
This figure can be identified as a sufi, on account of his long-sleeved khirqa cloak, ribbed cap, and prayer beads. His crossed arms, kneeling position and lowered gaze all suggest that he is in a state of deep introspection.
In many examples of Persian painting, sleeves serve as a metaphor for the emotional state of the wearer, expressing contemplation, reverence, trepidation, and intoxication. In the case of this seated figure, his sleeves hang limp, crossed one over the other, emphasizing his contemplation.
Sufis frequently spent periods of up to 40 days in isolation in the wilderness. This practice, called khalwa, facilitated distraction-free meditation and prayer. Young Sufis would engage in this habit under the guidance of a shaikh, and more advanced Sufis would sustain this practice independently throughout their lives.
In many examples of Persian painting, sleeves serve as a metaphor for the emotional state of the wearer, expressing contemplation, reverence, trepidation, and intoxication. In the case of this seated figure, his sleeves hang limp, crossed one over the other, emphasizing his contemplation.
Sufis frequently spent periods of up to 40 days in isolation in the wilderness. This practice, called khalwa, facilitated distraction-free meditation and prayer. Young Sufis would engage in this habit under the guidance of a shaikh, and more advanced Sufis would sustain this practice independently throughout their lives.
Artwork Details
- Title: Seated Dervish
- Date: late 16th century
- Geography: Attributed to Iran
- Medium: Ink and watercolor on paper
- Dimensions: H. 3 1/2 in. (8.9 cm)
W. 1 5/8 in. (4.1 cm) - Classification: Codices
- Credit Line: Bequest of George D. Pratt, 1935
- Object Number: 45.174.12
- Curatorial Department: Islamic Art
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Abu'l Qasim Firdausi
Sultan Muhammad
ca. 1525
Abu'l Qasim Firdausi
Qasim ibn 'Ali
ca. 1530
`Abd al-Rahman al-Sufi
late 15th century
ca. 1555–60
Hatifi
Suzi
dated 904 AH/1498–99 CE
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