Born into Kyoto’s cultured merchant class, Kenzan was best known for his ceramic wares but was also a highly regarded calligrapher. Kenzan’s individualistic, expressive inscription of a poem referring to future winds scattering crimson leaves of ivy, recalls a famous scene from the tenth-century Tales of Ise (Ise monogatari), in which a courtier, exiled from the capital, encounters an itinerant monk on an ivy- strewn path on Mount Utsu.
Kakaru shimo waga aki naranu matsukaze y chiru o urami no tsuta no momijiba
Though not yet winds through the pines blow all around and I dread they’ll scatter the crimson leaves of ivy. –Trans. John T. Carpenter
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painting
inscription
seal and inscription
Artwork Details
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蔦紅葉図
Title:Autumn Ivy
Artist:Ogata Kenzan (Japanese, 1663–1743)
Period:Edo period (1615–1868)
Date:after 1732
Culture:Japan
Medium:Album leaf mounted as a hanging scroll; ink, color, and gold on paper
Dimensions:Image: 8 3/8 x 10 7/8 in. (21.3 x 27.6 cm) Overall: 44 7/8 x 22 1/4 in. (114 x 56.5 cm)
Classification:Paintings
Credit Line:The Harry G. C. Packard Collection of Asian Art, Gift of Harry G. C. Packard, and Purchase, Fletcher, Rogers, Harris Brisbane Dick, and Louis V. Bell Funds, Joseph Pulitzer Bequest, and The Annenberg Fund Inc. Gift, 1975
Object Number:1975.268.67
Signature: Signature
Marking: Seal
[ Harry G. C. Packard American, Tokyo, until 1975; donated and sold to MMA].
Fukuoka Art Museum. "Nihon no bi : Rimpa: Sōtatsi, Kōrin, Hoitsu kara gendai made," October 7, 1989–November 5, 1989.
New York. The Metropolitan Museum of Art. "Seasonal Pleasures in Japanese Art (Part One)," October 12, 1995–April 28, 1996.
New York. The Metropolitan Museum of Art. "The Resonant Image: Tradition in Japanese Art (Part One)," 1997–98.
New York. The Metropolitan Museum of Art. "Arts of Japan," 1998.
New York. The Metropolitan Museum of Art. "Art in Early Japan," 1999–2000.
New York. The Metropolitan Museum of Art. "Arts of Japan," August 19, 2000–February 5, 2001.
New York. The Metropolitan Museum of Art. "A Sensitivity to the Seasons: Autumn and Winter," June 22–September 10, 2006.
New York. The Metropolitan Museum of Art. "Poetry and Travel in Japanese Art," December 18, 2008–May 31, 2009.
New York. The Metropolitan Museum of Art. "Five Thousand Years of Japanese Art: Treasures from the Packard Collection," December 17, 2009–June 10, 2010.
New York. The Metropolitan Museum of Art. "A Sensitivity to the Seasons: Summer and Autumn in Japanese Art," June 24–October 23, 2011.
New York. The Metropolitan Museum of Art. "Designing Nature: The Rinpa Aesthetic in Japanese Art," May 26, 2012–January 13, 2013.
New York. The Metropolitan Museum of Art. "Discovering Japanese Art: American Collectors and the Met," February 14 - September 27, 2015.
New York. The Metropolitan Museum of Art. "Kyoto: Capital of Artistic Imagination," July 24, 2019–January 31, 2021.
Tokyo Kokuritsu Bunkazai Kenkyūjo 東京国立文化財研究所, ed. Nyūyōku Metoroporitan Bijutsukan, kaiga, chōkoku ニューヨークメトロポリタン美術館,絵画・彫刻 (Painting and sculpture of the Metropolitan Museum of Art, New York) Kaigai shozai Nihon bijutsuhin chōsa hōkoku 海外所在日本美術品調查報告 (Catalogue of Japanese art in foreign collections) 1. Tokyo: Kobunkazai Kagaku Kenkyūkai, 1991, p. 99, cat. no. 297.
Carpenter, John T. Designing Nature: The Rinpa Aesthetic in Japanese Art. Exh. cat. New York: The Metropolitan Museum of Art, 2012, p. 179, cat. no. 83.
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