This angel from an Annunciation group probably comes from the abbey of Flavigny and originally formed part of a sculptural retable behind the altar. The exquisite carving of the figure, the serene facial expression, and the rich locks of hair have close parallels in sculpture produced in Paris.The surface details and polish are similar to the work of the sculptor Jean de Liège who carved the image of Marie de France from the royal abbey of Saint-Denis also in the Museum's collection (see 41.100.132).
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
This artwork is meant to be viewed from right to left. Scroll left to view more.
Artwork Details
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title:Angel of the Annunciation
Artist:Attributed to Jean de Liège (Franco-Netherlandish, active ca. 1361–died 1381)
Date:ca. 1370–90
Geography:Made in Paris (?), Netherlands or France
Culture:South Netherlandish or French
Medium:Marble
Dimensions:Overall: 24 x 8 3/4 x 6 1/2 in. (61 x 22.2 x 16.5 cm) diam. of hole for a mounting pin: 2 3/8 x 3/8 in. (6 x 1 cm)
Classification:Sculpture-Stone
Credit Line:Gift of J. Pierpont Morgan, 1917
Accession Number:17.190.390
J. Pierpont Morgan (American), London and New York (until 1917)
Museum of Fine Arts, Boston. "Arts of the Middle Ages: A Loan Exhibition," February 17–March 24, 1940.
Pavillon de Marsan, Palais du Louvre. "Les Fastes du Gothique: Le Siècle de Charles V," October 1981–January 1982.
State Pushkin Museum of Fine Arts. "Dekorativno-Prikladnoe Iskusstvo ot Pozdnei Antichnosti do Pozdnei Gotiki," June–December 1989.
State Hermitage Museum, Leningrad. "Dekorativno-Prikladnoe Iskusstvo ot Pozdnei Antichnosti do Pozdnei Gotiki," February–July 1990.
Osterreichische Galerie Belvedere. "Meister von Grosslobuing," May 17–September 6, 1994.
Dijon, France. Musée des Beaux-Arts de Dijon. "Art from the Court of Burgundy 1364–1419," May 28, 2004–September 15, 2004.
Cleveland Museum of Art. "Art from the Court of Burgundy 1364–1419," October 24, 2004–January 9, 2005.
Vitry, Paul. "Les collections Pierpont Morgan." Gazette des Beaux-Arts, 4th ser., 11, no. 5 (May 1914). p. 435.
Arts of the Middle Ages: A Loan Exhibition. Boston: Museum of Fine Arts, 1940. no. 184, pp. 56–57.
Forsyth, William H. The Entombment of Christ: French Sculptures of the Fifteenth and Sixteenth Centuries. Cambridge, MA: Harvard University Press, 1970. p. 87.
Ostoia, Vera K. "Contributions on the Style and Works of Jean de Liège." Metropolitan Museum Journal 4 (1971). pp. 106–7.
Schmidt, Gerhard. "Beiträge zu Stil und Oeuvre des Jean de Liège." Metropolitan Museum Journal 4 (1971). pp. 96–98, 101, fig. 17, 19.
Legner, Anton, ed. Die Parler und der schöne Stil, 1350-1400: Europäische Kunst unter den Luxemburgern. Vol. 1. Cologne: Museen der Stadt Köln, 1978. p. 51.
Les fastes du gothique: Le siècle de Charles V. Paris: Éditions de la Réunion des Musées Nationaux, 1981. no. 80, pp. 136–7, fig. 80.
Baron, Françoise, ed. Les fastes du Gothique: Le siècle de Charles V. Paris: Galeries nationales du Grand Palais, 1981. no. 80, pp. 136–37.
Randall Jr., Richard H. Masterpieces of Ivory from the Walters Art Gallery. Walters Art Gallery, 1985. p. 230.
Schultes, Lothar. "Der Meister von Grosslobming und die Wiener Plastik des schönen Stils." Wiener Jahrbuch für Kunstgeschichte 39 (1986). p. 7, fig. 21.
Schwarz, Michael Viktor. Höfische Skulptur im 14. Jahrhundert: Entwicklungsphasen und Vermittlungswege im Vorfeld des Weichen Stils. Manuskripte zur Kunstwissenschaft in der Wernerschen Verlagsgesellschaft, Vol. 6. Worms: Wernersche Verlagsgesellschaft, 1986. pp. 146, 268, 403.
Pushkin Museum and State Hermitage Museum. Dekorativno-Prikladnoe Iskusstvo ot Pozdnei Antichnosti do Pozdnei Gotiki: Kratkii Katalog Vystavki. Moscow: Pushkin Museum, 1990. no. 48, pp. 12, 33, fig. 48.
State Hermitage Museum. Dekorativno-Prikladnoe Iskusstvo ot Pozdnei Antichnosti do Pozdnei Gotiki. St. Petersburg: State Hermitage Museum, 1990. no. 48, pp. 102–103.
Schmidt, Gerhard. Gotische Bildwerke und ihre Meister. Vienna: Böhlau Verlag, 1992. pp. 89–91, 95, 98, 101, n. 68, 350, fig. 76, 81.
Der Meister von Grosslobming: Österreichische Galerie 1994. Vienna: Osterreichische Galerie Belvedere, 1994. no. 9, p. 93.
Barnet, Peter, ed. Images In Ivory: Precious Objects of the Gothic Age. Detroit: Detroit Institute of Arts, 1997. p. 168, fig. 29a.
Cleveland Museum of Art and Musée des Beaux-Arts de Dijon. Art from the Court of Burgundy: The Patronage of Philip the Bold and John the Fearless 1364-1419, edited by Stephen Fliegel, and Sophie Jugie. Cleveland: Cleveland Museum of Art, 2004. no. 120, p. 315.
Cleveland Museum of Art and Musée des Beaux-Arts de Dijon. L'art à la cour de Bourgogne: le mécénat de Philippe le Hardi et de Jean sans Peur (1364-1419), edited by Stephen Fliegel, and Sophie Jugie. Paris: Éditions de la Réunion des Musées Nationaux, 2004. no. 120, p. 315.
Wixom, William D. "Medieval Sculpture at the Metropolitan: 800 to 1400." The Metropolitan Museum of Art Bulletin, n.s., 62, no. 4 (2005). pp. 5, 37.
Fajt, Jiri. "Havelberg, Paris, Prag. Überlegungen zur Herkunft einiger Werke aus dem Umfeld des Bischofs Johann Wöpelitz im Havelberger Dom." In Niederländische Kunstexporte nach Nord- und Ostmitteleuropa vom 14. bis 16. Jahrhundert: Forschungen zu ihren Anfängen, zur Rolle höfischer Auftraggeber, der Künstler und ihrer Werkstattbetriebe, edited by Jiri Fajt, and Markus Hörsch. Studia Jagellonica Lipsiensia 15. Ostfildern: Jan Thorbecke, 2014. pp. 187–89, fig. 4.
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Museum's collection of medieval and Byzantine art is among the most comprehensive in the world, encompassing the art of the Mediterranean and Europe from the fall of Rome to the beginning of the Renaissance.
