Clay figurines (dogū) of humans and animals were made throughout the Jōmon period, particularly during the latter half, and establish the beginnings of Japan’s sculptural tradition. The largest percentage of these figures, including this statuette from northern Honshū, comprises highly stylized females with enlarged breasts, hips, and stomachs presumed to have been fertility symbols.
Because some of these figurines appear to have been broken intentionally, it has been hypothesized that they were used in rituals meant to cure physical ailments. It seems that once the affliction was ceremonially transferred to the figure, the clay image was discarded. This speculation would explain why most dogū are found scattered around or in refuse heaps rather than in graves
Harry G. C. Packard , Tokyo (until at least 1977). ; Jerome Koizim , Teaneck, NJ (until 1978; donated to MMA).
New York. The Metropolitan Museum of Art. "No Ordinary Mortals: The Human and Not-So-Human Figure in Japanese Art," 1996.
New York. The Metropolitan Museum of Art. "Art in Early Japan," 1999–2000.