Bowl

1800–50
Not on view
The bowl and music stand, formerly owned by the artist Charles Sheeler, speak to the influence of early American "folk" furniture, textiles, ceramics, glass, metalwork, and painting on twentieth century visual arts and collecting. In the mid-1910s to the 30s, Sheeler collected eighteenth- and nineteenth-century antiques and Shaker art. Sheeler’s collection of folk art became identifiable still-life elements in a series of interior scenes, including Americana (1931) based on the interiors of the artist’s South Salem, New York residence. Like Sheeler, many American collectors and artists in the period exercised an ambivalence towards the historical context and meaning of antique objects and focused on the intrinsic form, line, or color of objects and their potential artistic juxtapositions. Sheeler explained his interest in early furniture, particularly that made by the Shakers: "I don’t like these things because they are old but in spite of it. I’d like them still better if they were made yesterday because then they would afford proof that the same kind of creative power is continuing."

Artwork Details

Object Information
  • Title: Bowl
  • Artist: Unknown
  • Date: 1800–50
  • Culture: American
  • Medium: Probably birch
  • Dimensions: 4 × 20 × 12 in. (10.2 × 50.8 × 30.5 cm)
  • Credit Line: Gift of Andrew and Ann V. Dintenfass, 2017
  • Object Number: 2017.685.1
  • Curatorial Department: The American Wing

More Artwork

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.